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Raj Arumugam Sep 2012
see little Tommy
no, you can’t see him in the trolley -
like a monkey
or a possum on the tree
he’s well-hidden
so expert, as mom
pushes the trolley
through the aisles
And then nimbly
he crawls out
and hangs by the handle
feet on the brackets
still hidden
and suddenly drops
on the floor
light as baby Tarzan
And Mom says: “Tommy!”
and Tommy laughs
and climbs back into the trolley
like a little Alexander on a metal Bucephalus
and there he stands commandeering
the trolley: “Cheese, mum! Lollies! Lollies!”
And Mum says to Little Tommy:
“Shhh! Shhh! Shhh!”
But little Tommy
he’s the Master and Commander
and pirate
but mostly the monkey
on the shopping trolley
down the aisles and down the corridors
and the food court
sliding and jumping and hiding
in his fantasy world of the trolley
see little Tommy -
no, you can’t see him in the trolley
like a monkey
or a possum on the tree
he’s well-hidden
so expert in the trolley
he so happily commands
...just the other day, saw this little boy in the trolley his mum was pushing...and the little one was so agile, so nimble, so fast and so in his own life of movement and joy...couldn't help but write this poem about this delightfully energetic child...
Raj Arumugam Sep 2012
1
Ginhoko is a slob
he ***** up to the boss
and he squeals on his mates
May his family starve and
may his wife find him always flaccid

2
You loser! You loser! You loser!

3
the woman who walks past our store
everyday when I have my tea
she is lovely and a fairy -
O will she not look at me?

4
The boss is a donkey
He eats pig ****
and his wife drugs his food
and his wife fornicates with the servant
while her husband lies drugged,
and everyday she winks at me

5
May the world go jump
in the ditch!
May I alone survive and enjoy the earth!

6
What do you eat? You smell of the backstreets
of the red light district
where the men go to ease themselves

7
who scribble here
is nincompoop
poem based on ukiyo-e print by Utagawa Kuniyoshi (January 1, 1797- April 14, 1862)
Raj Arumugam Sep 2012
I scrub my armpits
I scratch the dirt off my back
I wash my nose and ears
And I’ll be honest -
I think I just ******!

**! Hey ah, po!
Jump in like fish and enjoy this water
It’s as cool as the touch of a woman
in mid-summer
Jump in and the water
is as generous as a woman in love
Who cares about the gods or Heaven
it’s water, water, that’s the beginning and the end
**! Hey ah, po!

I scrub my armpits
I scratch the dirt off my back
I wash my nose and ears
And I’ll be honest -
I think I just ******!

**, hay hay toh!
All clothes are gone
God can go jump into a pool
for all I care
All the power is in the fall of water
This is delight
This is joy, this waterfall and gathered water
I’m as naked as when I was born
well, except for the **** cloth
that covers the toys
that pleasure my woman
**, hay hay toh!

I scrub my armpits
I scratch the dirt off my back
I wash my nose and ears
And I’ll be honest -
I think I just ******!
* Ah, these bad-boy pilgrims of Old Edo, Old Tokyo...
...poem based on art of the same title by Utagawa Kuniyoshi (歌川 国芳?, January 1, 1797[1] - April 14, 1862...
Raj Arumugam Sep 2012
we three send you a song
over continents, over oceans
through centuries
hope this finds you well
better than we found our times
with plague, blind beliefs
and uncertainty about us
and fragile mortality and living on the edge
when life was not comfortable
which was often for us
we three send you a song
over continents, over oceans
through centuries
hope life’s better for you
O radiant humanity of the future
not that it was bad for us
but it’s logical to assume
things always get better
and so it’s utopia you must be in
as we send you this message
and your world must be ridden
of anxiety and worry
it must be times of peace and harmony
where the peoples of the world live together
like children of one family
thus we three send you a song
over continents, over oceans
through centuries*
and so in your ease and enlightened times
such as they must be
remember us by this painting by Lorenzo Costa
and also hum along to our tune
of goodwill and cheer
that you might imagine
and if you master the art of time-travel
come visit us, and we’ll give you a song
one that you can hear, one you can join in
and perhaps you’ll take us back along with you
to such happier, happier times
such joyous, joyous bright times
as yours must be
there in your distant century
companion painting: "Concert" by Lorenzo Costa (1460 – March 5, 1535)
Raj Arumugam Sep 2012
I’m not in step with the world
I’d like to go
I don’t see very well
and the metaphor haunts me too

But Life is sacred
you can’t make it
you can’t take it away
Stay all the way;
smile each day


You have no use for me
and I don’t get you past literalness
My slur interrupts meaning
and I don’t understand
your language either

But Life is sacred
you can’t make it
you can’t take it away
Stay all the way;
smile each day


I’m tired of the ways
there’s nothing I can build anymore
The doors are closed
and there’s a new image here everyday -
every one unfamiliar, and vague

But Life is sacred
you can’t make it
you can’t take it away
Stay all the way;
smile each day


You give me words
and I eat leftovers
My mind soars above
and you hang on to my tissues
I’d like to go
I have to go
This room reminds me of the womb
As was coming so seems my going;
I’ll go

*But Life is sacred
you can’t make it
you can’t take it away
Stay all the way;
smile each day
companion painting: 2 old men. Dos monjes by Francisco José de Goya y Lucientes (30 March 1746–16 April 1828)
Raj Arumugam Sep 2012
you’ve been nice
you’ve heard me sing
and you’ve offered praise
for what you like
(and ignored me for what you don't)
But you mustn’t think
you’ve heard me deep
or you’ve known me now
For it’s always
someone else singing
depending whose voice was last heard
whose blade keenest, whose skills superior
who has fingers extending from the murky past
You’ve been nice
you’ve heard me sing
but you mustn’t let me convince you
no matter how hard I try
it’s me you hear
for I’m just a valley of echoes
(are we not all?)
and a scarecrow over which linger
vultures and such scavengers
never a thought of mine
not an emotion of mine
is the subject of my song
but the words generations have spun
to make myths and radiant lies
that I can sing, and you can acquiesce
I’m just the voice of conditioning
And you too, as you listen and concur
we are but
our conditionings singing
it’s the past singing
it’s not me
it’s not you
though you put a face to it
and we put our names to it
you’ve been nice
you’ve heard me sing
and you’ve offered praise
for what you like
(and ignored me when you don't)
but you mustn’t think
you’ve heard me deep
or you’ve known me now
for it’s always
someone else singing
companion painting: "Concert" by Lorenzo Costa (1460 – March 5, 1535)
Raj Arumugam Sep 2012
in the beginning
was BamiBami
He the True God
the One God
He wanted everything for Himself
this BamiBami
so He weeded out all competition
and ate all the food at Cosmic Meat
Yum! Yum!
said BamiBami
More! More!
Yum! Yum!

and Mighty He fell sick
and He had no mother to make Him chicken soup
and He had no woman
to scream Him out of His Indisposition
But He had One Predisposition
and so He
vomited the Sun
and He vomited the Stars and the Planets
and the Cosmos
(and He vomited with such vehemence
the cosmos and the stars and space,
they’re still moving outward)
and then He turned round and He made one final *****
and He vomited the Earth and all its creatures
that includes you and me
and think about that,
that makes you puke
(say Hi Puke
to your fellow human pukes…)
and since then we’ve always puked
look around, and you’ll see the muck and puke
we’ve even gone nuke
All Praise be to BamiBami
He of the Divine Puke

and that’s how we got here
not by a fluke
but by a puke
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