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Raj Arumugam Aug 2011
Emperor So-and-So
with his Ten Thousand Beauties
in his Blue Pearl Harem
pulls at the sleeve
of his Human Resources Manager
while they are watching a Military Parade
and he whispers:
See that beauteous woman
sitting there in the third row…
Get her to my chamber tonight
for I want to have a go, go



and that night
as part of foreplay
Emperor So-and-So whispers
to the girl plucked
out from the third row:
Hey, beautiful -
Where have you been all the while?
Never seen such a beauty before, you know.



And the girl from third row
looks with surprise
and with her mouth wide open, she says:
*But Sire, I am one of your
Ten Thousand Beauties
in your Blue Pearl Harem
Raj Arumugam Jul 2011
You know, you just gotta love
poetry blog sites
Poetry sites make you comfy
You post a poem
and they tell you how
useless your poem is
with various comments and statistics

Like how? Like below…

You posted this poem 36 hours ago.
This poem is public and visible on your profile.
It has been read by 1 other person.
Loser!
(Actually, was that you using another account?)
Loser!
It’s been 36 days now since
you posted this poem
and 360 other poems.
You’ve had 1 hit –
****** loser!
It’s all so consistent…  
You’ve had no likes…
You’ve had no recommendations…
No one has favorited you…
Loser! Loser! Loser!
****** loser!
You've no Friends.
You've had no Invitations.
You’re not on the
Most Frequented Poet List.
You’re not on the
Most Commented List.
You’ve had 390 poems
and none has been chosen
to be featured at our site
and none of your poems
ever became Editor’s  pick.
Loser! Loser! Loser!
O, What’s wrong with you?
*Loser! Loser! ****** Loser!
****** humor, that's all...I just hope it's ****** good humor!
Raj Arumugam Jul 2011
I think, Sirs, and most inimitable Ladies
I think I prefer to look at a bull
The sketch of a bull, the head of a bull perhaps
even if but a study by an artist
rather than some fancy prophet in glorious paint
or in grand chapel or some miracle recounted
in paint and colors and with consummate skill
or even God descending – ah, all these do not take my fancy
they smack too much of the Elevated;
there’s too much
of the grandstanding in these
Grand Divine Themes -
but the face of a bull, ah give me a sketch
of the face of a bull
just the bull, all marks of nature in it
and just itself
no symbolism, no conceit, no artifice
no High sounding theology, no revelation
but just animal nature in its ******
being a bull
just animal, its eyes and mouth and horns
just all coming together to form one creature…
a portrait of a bull anytime for me -
Sirs and most inimitable Ladies -
none of the holy ones and the great prophets
and the Mighty and the Divine
and the Grand-Looking:
no bull for me, please;
just the plain head of a bull, as it is…
ompanion pictures:Rosa Bonheur with bull, Versailles,  by Edouard Louis Dubufe; also google for other paintings of bulls and cows by  Rosa Bonheur
Raj Arumugam Jul 2011
now, I was just minding
my own business
brought up by very virtuous parents
steeped in a culture ancient and proper
and graced with divine revelations;
the lotus forever growing pure
even in muddied waters;
and so minding my own business
and vowed to matrimonial chastity in mind
never looking at another woman
and never thinking of another ever

I mean no one thought
looking at Mona Lisa
even in my younger days
was ever bad; they simply said:
Oh, Mona Lisa…what a painting!
so I went about years
chaste, pure and I think, angelic,
until these women come into art books
and now more readily in cyber-life
like Rembrandt’s Bathing Woman -
oh, how could I not look?
She, Hendrickje, more natural and
more come-here-you than
today’s airbrushed digitally enhanced beauties…
O Hendrickje, Hendrickje,
entering the water
and lifting up her dress
so it won’t get wet
but O – was that really her intention?
Or perhaps to entice Rembrandt further?
Or to look at her own reflection?
and then what about us, full-blooded men of latter-days –
O Rembrandt, what have you done?
how can I not look, and look?
and come back to look again?
and under pretence of aesthetics I trace every
limb and curve of Hendrickje, O Hendrickje –
I become a Rembrandt of sorts,
just tracing lines on her image

O these cyberspace beauties
they corrupt my high ideals
And Rembrandt says across the ages:
Remember you your traditions and virtue…
And the morally upright say:
Hey! She was Rembrandt’s woman!
And I can only quip: Yeah - she was!

and leaving it at that
with O Hendrickje, Hendrickje,
gazing at her own reflection
and I wondering what she sees –
well, after Hendrickje, O Hendrickje
am I safe? you think?
Then come the women of Japan –
for instance
A woman Applying Powder
while Hashiguchi Goyō sketched and mixed his paints -
and why? Oh why, Hashiguchi Goyō?
why do you release these sirens, these women
this Woman after her Bath
this Woman combing her hair -
O these mistresses of the arts
O why release them
on my sensitive and pure
and morally upright mind?
O why you do corrupt
such a one
such a noble mind
that centuries of spiritual values jousted one another
to produce? Such a delicate specimen as I am.
Or may be
all these women should be deleted from cyberspace
and only decent women with quizzical smiles like
Mona Lisa should prevail…
Sure, we don’t know what she’s smiling about
but at least Old Lisa’s not as dangerous
as youthful Hendrickje, O Hendrickje -
or
as the Woman Applying Powder
baring her shoulders and her Japanese *****…
I mean, how can I not look?
and come back again to look?
O my adulterous heart!
but delete them all
or black them out
or cover them all up from head to foot
(technology can do wonders nowadays)
so
I can just be minding
my own business
brought to you by very virtuous parents
steeped in a culture ancient and proper
and divine revelations
the lotus forever growing pure
even in muddied waters;
and I’ll end up in Heaven after all my Holy Days
and for my Eternal Holidays there
I’ll be given all the virgins I’ll ever want
companion print: Woman Applying Powder by Hashiguchi Goyō, 1918/also see Kamisuki (Combing the hair) in my previous poem; other works of art I wish I could show you: "Woman After Bath," 1920 by Hashiguchi Goyō; Rembrandt's Bathing woman, modelled by Hendrickje, 1654; Mona Lisa by Leonardo da Vinci; the illustrated Kama Sutra; works and art and performances I cannot show you: various **** websites...
Raj Arumugam Jul 2011
now, I was just minding
my own business
brought up by very virtuous parents
steeped in a culture ancient and proper
and graced with divine revelations;
the lotus forever growing pure
even in muddied waters;
and so minding my own business
and vowed to matrimonial chastity in mind
never looking at another woman
and never thinking of another ever

I mean no one thought
looking at Mona Lisa
even in my younger days
was ever bad; they simply said:
Oh, Mona Lisa…what a painting!
so I went about years
chaste, pure and I think, angelic,
until these women come into art books
and now more readily in cyber-life
like Rembrandt’s Bathing Woman -
oh, how could I not look?
She, Hendrickje, more natural and
more come-here-you than
today’s airbrushed digitally enhanced beauties…
O Hendrickje, Hendrickje,
entering the water
and lifting up her dress
so it won’t get wet
but O – was that really her intention?
Or perhaps to entice Rembrandt further?
Or to look at her own reflection?
and then what about us, full-blooded men of latter-days –
O Rembrandt, what have you done?
how can I not look, and look?
and come back to look again?
and under pretence of aesthetics I trace every
limb and curve of Hendrickje, O Hendrickje –
I become a Rembrandt of sorts,
just tracing lines on her image

O these cyberspace beauties
they corrupt my high ideals
And Rembrandt says across the ages:
“Remember you your traditions and virtue…”
And the morally upright say:
“Hey! She was Rembrandt’s woman!”
And I can only quip: “Yeah - she was!”

and leaving it at that
with O Hendrickje, Hendrickje,
gazing at her own reflection
and I wondering what she sees –
well, after Hendrickje, O Hendrickje
am I safe? you think?
Then come the women of Japan –
for instance
A woman Applying Powder
while Hashiguchi Goyō sketched and mixed his paints -
and why? Oh why, Hashiguchi Goyō?
why do you release these sirens, these women
this Woman after her Bath
this Woman combing her hair -
O these mistresses of the arts
O why release them
on my sensitive and pure
and morally upright mind?
O why you do corrupt
such a one
such a noble mind
that centuries of spiritual values jousted one another
to produce? Such a delicate specimen as I am.
Or may be
all these women should be deleted from cyberspace
and only decent women with quizzical smiles like
Mona Lisa should prevail…
Sure, we don’t know what she’s smiling about
but at least Old Lisa’s not as dangerous
as youthful Hendrickje, O Hendrickje -
or
as the Woman Applying Powder
baring her shoulders and her Japanese *****…
I mean, how can I not look?
and come back again to look?
O my adulterous heart!
but delete them all
or black them out
or cover them all up from head to foot
(technology can do wonders nowadays)
so
I can just be minding
my own business
brought to you by very virtuous parents
steeped in a culture ancient and proper
and divine revelations
the lotus forever growing pure
even in muddied waters;
and I’ll end up in Heaven after all my Holy Days
and for my Eternal Holidays there
I’ll be given all the virgins I’ll ever want
companion print: Woman Applying Powder by Hashiguchi Goyō, 1918/also see Kamisuki (Combing the hair) in my previous poem; other works of art I wish I could show you: "Woman After Bath," 1920 by Hashiguchi Goyō; Rembrandt's Bathing woman, modelled by Hendrickje, 1654; Mona Lisa by Leonardo da Vinci; the illustrated Kama Sutra; works and art and performances I cannot show you: various **** websites...
Raj Arumugam Jul 2011
hey, before kung fu fighting
was kung fu ***;
emperors practiced it and
would have lived to be Immortals
if not for the darned traitors and assassins

Crane sees Phoenix
and in Plum Tree Garden of Scents
Plum Tree Arms
Encircle Double Mountains;
Pine Reaches for the Skies

Drunken Monkey Jumps
and Pheasant Sings
and White Pearl Slips;
Dogs Unite and Clouds Merge
Tiger Bites and Lion Roars
Grand Dragon Withholds

Jade Gate Opens
Jade Stem enters
Wild Boars stampede
and Cherry Blossoms Fall

Drunken Monkey Sleeps
White Pearl Smiles
Drunken Monkey Awakes
and Blue Pearl Awaits -
and again Serpent on Rock hisses;
Wheels of Legs Rotate


hey, before kung fu fighting
was kung fu ***;
emperors practiced it and
would have lived to be Immortals
if not for the darned traitors and assassins
no illustrations available; we leave it to your imagination
Raj Arumugam Jul 2011
we bring you life today
sway right and left
and forward and back
and gyrate
and turn and twist;
and life is fruit and flesh
and it is pleasure and joy too
and we bring in our bodies
in our bodies, in our nakedness
we bring you mystery
and the passion of gods -
O, sink your teeth into us
for
we bring you life today
sway right and left
and forward and back
and gyrate
and turn and twist
as everyday
and life is ecstasy and wow!
and moans and groans, and twists and turns
and life is pain, and death and danger
and allurement and traps
take it all on a tray, take it all from us
life and death and pleasure and danger all
for today as everyday
we bring you life today
sway right and left
and forward and back
and gyrate
and turn and twist
and life is fruit and flesh
...maybe in a bar, maybe in ancient Egypt...or just the wind singing to you...
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