Submit your work, meet writers and drop the ads. Become a member
 
Rachel Birdsong Apr 2017
place your hands on either side of my ribs
and feel my
pinky-stretched muscles
twist and grind with the earth’s orbits

tap your finger on my temple
and listen to the
bones hollowed-out
by termites that run on memories

hold my wrists above my head
and look at
the stretched skin of my stomach
so translucent
you can see the treasure map I etched all over me

these bodies are sponges
absorbing the wind
into our hips
and sprawling our fingers to try and
catch the air and stick it back into our lungs
muscling through the salty waves
that stain our cheeks a raw pink
and erode our invincible confidence
and chip our pearly smile

we grab for our surroundings
with a dying necessity
and sew them into ourselves
so that we are patched into an identity

so when we are tired of being ragdolls
pieced together by our triumphs and failures
we begin to choose any fabric
regardless of the color, shape, or size
just to cover the holes we have created

then we face the mirror to see our what is left

we are disappointed not by our own mouths
but the ones on the faces behind us
looking past their own holes and into our own

where you can see
the taught fibers of stretched muscles
the tunnels termites have created in ivory bones
and pale skin pulled tight around panting lungs.
Rachel Birdsong Mar 2017
for a moment consider
wiping away hardened edges
smearing the razor blade lines
of your rusted smile
of your painted rib cage

imagine the terror
no—the horrific beauty
of a new self.

who would be your ruler
to measure your growth;
or would you grow at all?
would you fall into the same
ash-colored patterns your mother sewed into your dresses
and polished into your patent leather shoes
only acceptable on Sunday mornings?

how would you redefine your name
that has grown to fill the teeth inside your mouth
and weigh down your jaw bone
with jagged cement?

and honey
even if you could do all of those things
where would you go?
who wants to know the carcass you washed clean,
void of those scars behind your left knee cap
and that freckle on your temple?

what of those sunshine laughs
that colored your bedroom walls
and crocodile tears
that littered the linoleum bathroom floor?

new beginnings are frivolous
because
with the same canvas
the same acrylic paints
the same brush strokes

you’re left with an original copy.
Rachel Birdsong Oct 2016
there is a reason
woman is shaped
with the curves of an hourglass

the shouldered top
in which rests the weight
of threadbare words
covered in the crimson paste on chapped lips

the ever-slimming waist
the hips that hold our hands
with fingers that slip between
our cracked ribs
and pull. tightly. inwards.
to make it harder for that ****** sand
to waterfall through

and the wide feet
with train-track paths behind them
that lead through middles of mountains
fly over valleys of sugarcane and wildflower
and beneath trenches woven deep in the ocean

there is a reason
woman is shaped
with the curves of an hourglass

that pale, fine time
that slips from
the tip of a rough tongue
and through gritted teeth
falls into the hollow bones
of the hips, legs and ankles

at the moment time leaves her
the sand is now full
of chipped mountain rock
sweetened with sugarcane
colored with specks of yellow wildflowers
and salted with kisses from the Atlantic.
Rachel Birdsong Oct 2016
hairline fractures
sketched on arms
with microscopic graphite pencils
the kind artists use to draw
the wide eyes of a 2-dimensional fear

engrained constellations
containing those hidden greek myths
of the triumphs and tragedies
of those ancient heroes we get tattooed on the soles of our feet

wire-brush scratches
that create the canals
my icy hot blood runs through
the pathways that swell when you breathe on my neck

if you laid each person
under the scrutiny of a microscope
you would see their cracks
their beautiful impurities where
sadness seeps slowly in
where wordless emotions ooze
and where little sunbeams
reach their spindly fingers towards the freedom of a new day.
Rachel Birdsong May 2016
It started in a hurry
In sounds like the sizzle of summer air
Between two chipped teeth
Two chapped lips.

There was never to be enough room
For the all encompassing mouth of heat
Colored like the sticky surface of a blow-pop
Orange until you lick down to the icy blue center.

Only then do you notice the icy blue center
Has left the felt tip a speckled white
Like looking at winter treetops on the horizon
Littered with broken branches
Weighed down by Christmas carols

And slowly the head tilts to the left
Like a child whose favorite question is “why?”
And whose waxy fingers are now covered
In the sweet slime of a blow-pop
Rachel Birdsong Apr 2016
i wonder
when was the last time your cheeks relaxed
and the plastered grin crumpled into your parted lips
expelling the hot breath fastened inside swelling lungs
with a safety pin

or your shoulders
slumped with the gravity of a million worlds
(including mine)
that orbit your clenched fists like the sun

and as much as i would like to i cannot
pry your fingers open
or chip away at your stucco smile
or will you to inhale and exhale my love
Rachel Birdsong Apr 2016
close the gaps between
the white pads of my extended
fingertips
and your bitten nails
put just enough weight
to feel the heaviness of the first
arpeggio

follow the tune
with your eyes closed
forearms laid on one another
like the bricks of a hollow building
waiting to be filled with our
melody

curl your wrists so they latch
over mine
and press your cheek against my own
and steady the 9/8 time with
our synchronized breath


relax with poise as your hands
may finally rest
follow each ivory memory as it leaves
me and runs into you
flooding your minds eye with nothing
but me

stay until you are done
wait until you no longer mimic my measures
give until your soul is weightless

and i'll lay my hands over yours
Next page