Submit your work, meet writers and drop the ads. Become a member
 
 Dec 2011 Pink Halverson
Rachel S
you can set your roots deep in an attempt to hold on

but

even the strongest of trees can be forced to bow to the wind.
Not really sure if this can be classed as a poem? more of an observation but I like it anyway :)
 Dec 2011 Pink Halverson
Madeline
"You know, what the most annoying thing is?"
Stacking box, after box, after box
in her empty-floored home.
"What?"
"Knowing how," stack, "lost," stack, "I'll be."
She drops to a box, face in hands. "******* it."
What do you say
To the widow of an adulterer,
To the crier of sorrows
you've never known?
"I'm sorry."
"******* it, you're sorry. Everyone's sorry."
What do you say to all the bitterness
of a woman stacking, stacking, stacking
The boxes of her new life?
I sit on the divan by the window. "What do you want
me to say?" I ask.
Naive.
"****, I don't know." Sighing. "Say you know
He really loved me
And that even though I'm just your pain-in-the-***
broken-hearted
and stupid older sister,
who's made too many mistakes to count,
and who's never ever been there when you need her
because she's too busy with her
piece-of-****
******* accident
of a husband,
you really love me too."
Looking up at me
with tear-swimming
mascara-ringed green eyes
under a black fringe
of artistic bangs.
"Of course I really love you." The automaton of my voice.
"You're my only sister."
Tears falling onto
white velvet wrists.
"I really miss him.
That *******."

If only
he hadn't been
the adulterer

With me.
 Dec 2011 Pink Halverson
Madeline
"bring another bottle," you tell me, leaning
against the bricks
hunched
in the rain -
your eyes, they glitter, out
your coattails are long, lavish, and filthy
and your hat
is pulled low

i can see the care in you
from time to time
i feel it.
"you ain't gonna leave me, nance?" you say,
and i hear the fear
the uncertainty,
and then i go to you.

filthy london, it's brought you down
and me down
with you.
the little boys, the old man, they have questions in their eyes
when they see me let you, lead me, away,
but they don't see
that under the grime of your crimes
and the filth of your sins,
there is a heart, black, patched, and wounded
but beating.
for this i love you.

your hands on me, my man
can be a thing frightening
a thing thrilling
when you beat me like a dog
when you kiss me like a lover.

your violence, my man, is a curse
because you would have better for me
if you could give it.
and your bitterness, my man, is deserved
for the low-life life
you've been given.

and i feel you,
how you whisper in the nighttime, "nance."
and i quiver, just to hear it
"nancy," you whisper, gruffly, after the alcohol's worn off, the ***.
"i didn't mean none of it, nance. not a thing of it, eh?"
you whisper, roughly, bowing your head to my shoulder.
"you're a good girl
for not leavin' me, then.
and i ain't never deserved you
a day in my life."
and i pretend to sleep
to hear it.

you'll be the death of me, my man.
they tell me so,
and i know it's so.
but first
i will be the life of you.
Inspired by Oliver Twist
 Dec 2011 Pink Halverson
Madeline
let's hear it for
    these angsty
         weepy poems
from our broken hearts
  well
      maybe we should
pretty boys
      and pretty girls
we forget
   all of us
how fragile we are
     let's
         isolate ourselves
            in our feelings
(they hurt)
   when we forget ourselves
and love
    too hard
and miss
    too much
and want
    too suddenly
without knowing
   just how deep
we're digging ourselves
      when it hits, it hurts
our words
  are our
    defense
we mean them
i mean them
                   for you.
It's worth it, this
                       fragility
for our childish bliss
     in reckless, disasterous
                                                      abandon.
 Dec 2011 Pink Halverson
Madeline
You are a burning in my belly
You are a lilting in my thoughts
You are laughing joking singing
You are when my walls all drop
You are a flutter in my heart
You are dancing in my soul
You are a weakness in my limbs
You are all I care to know.
You are a sparkle in my eyes
You are a fire on my tongue
You are a dazzle to my smile
You are old, you are young.
You are the best to all my worst
You are a heat inside my head
You are an accidental smile
You are everything I am.
You are what I want to know
You are who I want to be
You are something nothing everything
You are you, we are we.
You are an almost-have-it wanting
You are a hesitation on my part
You are a can-I should-I would-I
You are a seizing at my heart.
You are a shy-eyed-glancing-laugh
You are a whispered three-word phrase
You are a wanting and a weakening
I am I, you are you.
 Dec 2011 Pink Halverson
Madeline
hello, poetry.
no, no, keep your seat.
i just wanted to talk to you about
how i can't stop writing you.
if you could stop pushing into my head
and making my fingers itch
and my eyes wander,
and if you would stop showing up in the margins
of my geometry homework,
well,
i guess i just wouldn't be me anymore
(probably be doing better in geometry though).
so, i was going to ask you to stop.
but, on the other hand -
it would get pretty lonely.
just me and the margins.
why should i remember
to call you papi
or say te amo
when you can barely
remember my name
why does it matter
what i put in my mouth
or who i push myself into
as long as neither involves you
Love, last night you walked
Into my room and peeled off  your skin
For me, a sigh still clinging to your throat,
Waiting for the forceful
Expulsion of your exhale.

Peel it for me.

You hung your fears on my pleas,
Whispering the words I mouthed to you,
Mouthing them back onto me.
Lights off this is you
At your finest.

I love you, at your most nervous.

Last night you wrote on my skin
With your tongue, the words still cool
On my warm body.
Only the tips of your fingers remain,
Scrawling your name on my back as if you
Could tattoo the permanency of love with touch.
Next page