The music's best on the dark
side of town, I heard. It seemed miles
from home, after waiting in a long traffic jam
But the lights finally changed
from glamorous shining to dull neon, covered in smoke
drifting up from drifters outside the Black Cat.

By the fluorescent green sign, a cat
was painted, its fur dark
as the alley I stood in, engulfed in smoke.
The cat perched atop Miles
Davis's trumpet. Bums hassled me for change
and a few drummed on buckets, jamming

with a harmonica player, synched as jam
and peanut butter. I stepped into the Black Cat,
and from the facade saw no change.
The lights turned low, the club dark
as the alley outside. A Miles
record hovered through the smoke.

The people chattered like bees, smoking,
waiting for the players to jam.
At last, the bass player laid down a line miles
long, the drummer chinked in, and the cats
began to groove. They chilled my bones with dark
melodies, pounding through spooky chord changes.

Soon sunbeams shone through the storm, they changed
to an upbeat swing tune. The horn smoked,
hitting riffs unheard, astounding the dark
faces gazing on in awe. They jammed
endless as the ocean. The cats
started to play a popular Miles

song.  The crowd hollered in Miles'
memory as the horn steered through the changes
with the skill of the legend of the Black Cat.
The band, nearly invisible through the haze of smoke
thick in the air, strawberry jam,
soon faded to dark.

Miles Davis’s ghost flowed through the smoke,
awakened by the chord changes, grooving to the jam.
The hippest cat alive or dead, now he plays in the dark.