Submit your work, meet writers and drop the ads. Become a member
Jun 2014
One another’s best
we two sat by a bank
where the wild violet grew,
holding hands, holding
each other’s gaze,
we thread a double skein
of pictures propagated
by our eyes
whilst inner thoughts
(our souls perhaps?)
negotiate, as we like statues
still, say nothing.

If someone standing near
could hear our silent speech
a pure concoction they would
take away, of you and I,
of ecstasy unperplexed
telling how we love, (not ***)
but all that makes both one,
each this and that.
Just as the violet redoubles still
and multiplies, our love with
one another interanimates;
we know of what we’re made:
we are intelligences,
and our bodies simply spheres.
We owe them thanks because
they thus did us, to us
at first convey.

And so we sit
our fingers knitted
into that subtle knot
which makes us man
and woman, but one to all
who look upon our love revealed.
Love's mysteries grow in our thoughts
but the body is where it lives.
We’ve heard this dialogue of one
and know it belongs in our bodies too.
This poem is my take on John Donne's Ecstasy. The original is a little dense and difficult, but this tells it how it is. The title comes from a new composition for violin, viola and orchestra by John Casken given its world premiere on 12 June by Thomas Zehetmair and his wife Ruth.
Nigel Morgan
Written by
Nigel Morgan  Wakefield, UK
(Wakefield, UK)   
Please log in to view and add comments on poems