One another’s best we two sat by a bank where the wild violet grew, holding hands, holding each other’s gaze, we thread a double skein of pictures propagated by our eyes whilst inner thoughts (our souls perhaps?) negotiate, as we like statues still, say nothing.
If someone standing near could hear our silent speech a pure concoction they would take away, of you and I, of ecstasy unperplexed telling how we love, (not ***) but all that makes both one, each this and that. Just as the violet redoubles still and multiplies, our love with one another interanimates; we know of what we’re made: we are intelligences, and our bodies simply spheres. We owe them thanks because they thus did us, to us at first convey.
And so we sit our fingers knitted into that subtle knot which makes us man and woman, but one to all who look upon our love revealed. Love's mysteries grow in our thoughts but the body is where it lives. We’ve heard this dialogue of one and know it belongs in our bodies too.
This poem is my take on John Donne's Ecstasy. The original is a little dense and difficult, but this tells it how it is. The title comes from a new composition for violin, viola and orchestra by John Casken given its world premiere on 12 June by Thomas Zehetmair and his wife Ruth.