I hate what this culture does to everything— turns it meaningless; makes it product. “What’s the matter with that?” you ask. Nothing, if **** is your color.
“Turns it meaningless; makes it product— what the hell is that supposed to mean?” You ask nothing. If **** is your color you’ll love what comes next.
“What the hell? Is that supposed to mean you count yourself among the blameless?” You will, love. What comes next could decide many futures, assuming
you count yourself. Among the blameless will shamble the shameless, the hopeless—those who could decide many futures. Assuming you won’t be one won’t save you. In droves they
will shamble—the shame less, the hope, less. Those who are just looking for salvation know you won’t be. One won’t save you in droves. They count on your believing you
are just. Looking for salvation? Know that very few walk this world anyone can count on. You’re believing you can’t change that. Poets won’t, I know
that. Very few walk this world. Anyone can write a poem today. Scribble down words you can’t change--that poets won’t. I know. I’m writing poetry.
Write a poem today. Scribble down words, you. You are not alone. In knowing that, is what I’m writing poetry? I want to rip it up and start again.
You are not alone in knowing. That’s what you, I, hate. What this culture does to everything. I want to rip it up and start again. What’s the matter with that?
This is a pantoum--a Malayan form. Each line is used twice, in a repeating pattern that ends with the first and third lines of the first verse in the final stanza. And this is a hard one to play...