Apr 2014
At my side the Demon writhes forever,
Swimming around me like impalpable air;
As I breathe, he burns my lungs like fever
And fills me with an eternal guilty desire.
Knowing my love of Art, he snares my senses,
Appearing in woman's most seductive forms,
And, under the sneak's plausible pretenses,
Lips grow accustomed to his lewd love-charms.
He leads me thus, far from the sight of God,
Panting and broken with fatigue into
The wilderness of Ennui, deserted and broad,
And into my bewildered eyes he throws
Visions of festering wounds and filthy clothes,
And all Destruction's ****** retinue.
Swimming around me like impalpable air;
As I breathe, he burns my lungs like fever
And fills me with an eternal guilty desire.
Knowing my love of Art, he snares my senses,
Appearing in woman's most seductive forms,
And, under the sneak's plausible pretenses,
Lips grow accustomed to his lewd love-charms.
He leads me thus, far from the sight of God,
Panting and broken with fatigue into
The wilderness of Ennui, deserted and broad,
And into my bewildered eyes he throws
Visions of festering wounds and filthy clothes,
And all Destruction's ****** retinue.
Charles Baudelaire
(1821–1867)
Charles Baudelaire is one of the most compelling poets of the nineteenth century. While Baudelaire's contemporary Victor Hugo is generally—and sometimes regretfully—acknowledged as the greatest of nineteenth-century French poets, Baudelaire excels in his unprecedented expression of a complex sensibility and of modern themes within structures of classical rigor and technical artistry.
(1821–1867)
Charles Baudelaire is one of the most compelling poets of the nineteenth century. While Baudelaire's contemporary Victor Hugo is generally—and sometimes regretfully—acknowledged as the greatest of nineteenth-century French poets, Baudelaire excels in his unprecedented expression of a complex sensibility and of modern themes within structures of classical rigor and technical artistry.
