This concrete town with no guts, no grit where we can only smirk as galoshered feet slip ‘n’ slide in and out our café where exhalations of icy conversations mix with the fog and cigarette smoke.
It’s a damp riverbank town border with riptides sneak currents no watchtowers no walls an escape for the committed or reckless – the next country a lucky swim away.
You draw down panelaks, teetering like headstones (that lost their plots a regime ago) pen in flagstones and millstones flower tubs filled with butts and dead dogs tarted up with cans and stencils subjects of your studies in pencil.
Nature’s only concession (so far as I can see) is this wedge like a warm slice of pizza - four fall trees jutting out of the bar where dogs curl up in corners and mist pushes in fishermen selling trout - the toxic confetti swirling around the passing procession of Saturday weddings dragging monochrome trains drawn into this twilight fugue whisked by an accordian player, guests laughing back at us while you’re smirking back at them cocooned in wine and tuica almost lost in your sketch smudging *** ash for sky dreamy with relaxed fatigue of travel and infatuation.
Your pad’s our field dressing that could work for a while before the gangrene sets back in so I’d like to amputate this souvenir wedge for my scraps book.
I watch you listening out for the shanty from the flagstones – about weeds delicate, green, undamaged, muscling through the cracks in the concrete drawn up to the cut where we also look effortless and a little green.
Tomorrow we head for the border and only one of us can swim.