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Oct 2013
her face turns to stone
as she comes face to face with her fear
eye to eye with her past
and she wonders as she is running away
you were supposed to be here to save her from
having to acknowledge she's just as
weak and vulnerable as any human being

she would pay big bucks
to have her face erased
to have her name steam cleaned
but you got to have solid ground
to stand on for that kind of silliness
and seems like she has only time
to sit and stare with open lust
for the guy at the carnival
with the funny oversized shoes
and clown outfit on
please call me tonight
she confides in him
that she would marry a real man like him.
given half a chance
he yawns and looks skeptically at her
******* the handle on his pearl revolver
one of these he's gonna shoot off his mouth
then they'll listen
half dancing
half shufflin he moves into the room
hoping that of he looks suave

now the time has gone by
and they have done little with many things
heads full of snow
his clown suit folded up and put away
her makeup neatly put on backwards
both standing hand in hand
in the doorway
of the last train
before the 'pocky-clipse
fore it all got blown to hell and gone

the door handle turned
the stage set and the actors rehearsed
everything primed and just the waiting
that pause before the plunge
that backwards glance
to say you'll never be here again
to think on regrets and fear
the consequences of what we do here
and then you take that step
take the plunge
and up off the floor you gotta come
after its all blown to hell and gone
after the whole ***** little
empire of her lies has collapsed
fore it all got blown to hell
and gone in the 'pocky-clipse
mark john junor
Written by
mark john junor  59/M
(59/M)   
815
   Derek Yohn and Nat Lipstadt
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