to borrow from a title: tittilating as it might to snigger and gobble up laughter in that sense gluttony-parody... then again to butcher German (via tongue) - to a greater extent Martin ****** and Adolpf Luther... I see a correlation: ask me not, or why I abhor Brahms but I should abhor either Schubert / Schuman more because the Germans have orchestrating minds and not ones to succumb to piano genius: plodders and cobblers sooner than piano maneuvering manifestants... deshalb... eisen in der seele (iron in the soul): alter: rost im blut (rust in the blood).... perhaps... but through the thickening smog of Cracow's ashen-snow: a re-birth of Ishrael... Nil Ven- live in Cardiff.. Cwydyff... Rossini... Stabat Mater: the counter reformation... the spirit of music for the ill Germanic soul... and like the genius of Luther and ******... but who would have thought that the expulsion of the Yiddish from German entanglement would bring about the resurgent Heb state and by "token" an invitation for the Muzz'n'Ummah to try to settle these northern lands with its dark and brooding melancholic... like the vision wrought up by Luther culminated in ******: of flesh and bone and flawed and not superstition prone superceding a mythical evil... just a snot barrage on a moustache... at least that how's I align myself with the purpose of Scandinavian intellect: on these isles: that, if I tear and take away from the equator and the Greenwich meantime... if Iceland is part of Scandinavia... then the British Isles are magnetically aligned by dictate of the synonym... lines of geography that cut as if parallel: into reading of history... aligned sideways... mea: cusp: ein herz... a fledgling... a fleshy light of fire that's both illumination and a warmth; Herzog: blues.... adamante!
the most and probably only redemption for the British Broadcasting Cooperation is bundled up in radio... not so much BBC RADIO 1 or 2... more so 3 and 4... besides the stalemate of visuals that corrupt by rot and flake of life's ****** / zenith... redeeming, these sounds... very unlike the television as primed for the analogy of Plato's cave... less shadows being projected and more a scenario of the doppelganger shadow-thieves... something of Islamic and even Victorian superstition... the evil eye the photograph the soul ensnared: a wild entity almost animal when given the focus of a return to vis-a-vis God: as word: and deity: as thing... but my point exactly is not an exacting of anything... I've been looking for an intellectual reprieve from Herbert's Dune... that isn't to say the work is difficult: but the punctuation is curiously a puncture of fabric and holes and buttons... but a movie can really undermine the joy of a reading experience esp when there have been three adaptations: and via Lynch there's even that nibble on the Messiah instalment with the Guildsman fish-frog in an aquarium with all that orange turmeric and cinnamon fog of colour and hallucinogenic potency... so back to heights of literature that would- -n't or couldn't make a word-to-image translation... Jon Fosse like some satanic figurine dwarf macabre ****** leech... but instead of a garden and an apple... a park and a playground in it and instead of an apple a girl sitting on a swing... second time round: if ever... that would be no apple and no tree... but a ******* a swing and a boy pushing her... oh how I live to love her and how she makes it bearable to be almost my mother in terms of things aging yet she has this girlish way concerning her: this adolescence of wanting only love because she knows there's only love to be given her... she has regressed so beautifully that her 14 year old child seems more adamant to be sober loved with my demeanor of taboo distancing: but she, on the other hand is like a girl with faking being a woman and womb... this time round it would simply be: me giving her a stone in the shape of a heart with my tongue wrapped around it: a thought in and of itself: last night I was watching a movie about Martin Luther and I thought about how fertile the cognitive landscape was for such man to emerge based upon the plough of ridicule of Catholicism and obviously I think of the other Protestant factions: but Luther was no charlatan while John Calvin and John Knox were but hitchhikers and no need to make ol' 'enry VIII any less but given rhe dynamic of the star of David: from atop a concentration to the bottom of the plateau of the triangle... such fertile ground with what was still, by then: a paganistic extension of what still hasn't become Hasidic level of the importance of literacy: still persistent: that people O plebs vagabonds anarchists and vandals (ha ha) are more entreated, encapsulated by solid frame, sculpture, meaning via colour... painting... than the gifts of word and number... which brings me to the conclusive remark about a certain practice in the Ing-Leash zunge... the pronouns are one thing what a terrible loss of intellect: the concept of names: names are of people... names... a tier above what nouns are: a chair is a noun a table is a noun... a planet is a noun... but... Jupiter... there's no name for a chair yet you I we will still call a chair a chair and not the act of sitting on it: yet English does the diminutive form such illness of a slack of the aesthetic of the diminutive... Mateusz becomes Matti Mateo Maciu... Teo.... what other name? while in English the supposed endearing and diminutive (which is the original intention of the diminutive form: to give an endearing quality) from Matthew simply Matt (door?) a Christopher a Chris... a Samuel a Samantha a Sam... Peter the Pied Piper Pete...