Aug 2013
The leaves fall in September, during the festivals. They dissipate, reintegrate into vivid little vespers that bob and levitate on gusts of wind that leave one bristling. The ferris wheel looks like an electric celestial ferry, set ablaze and bound for distant dimensions, man with mutated mohawk green, eyes wretched, livid and obscene, was the maniacal who manned it. Glow stick ghouls, with faces smeared americana snow cone red and blue haunt the parking lot, purple precipitate that hisses as it hits the pavement the product of their incessant chanting, pulling fuzz-lined warmth from my marrow. Under the stadium lights, women tighten their scarves as tiny, cerulean seahorses shimmer and dance with the ebb and flow of their jewel studded breath, retreating, giggling like immortal birds fallen from the nest.
Love is paper mache; a pop culture artifact. Like a stuffed hare that seems to have lost its ability to come to life after one loses their virginity. It has long legs and keen ears. It's very fast and would be quite handsome as well if it wasn't so **** helpless. It has been bred into the fibers of contact, the filter we set on lust, the way recycled cans make castles on lily pads and dead skin makes dust. We are swirling around in its whirlpool, if it wasn't drowning us we would be dead by now, same goes for the mad, mangy men who will count their teeth with their dimes and pick at their scabs, finger their sores, the retired professor who was too clever to have ever been faithful, the mockingbird that sings on my windowsill every morning in French, the mailmen and the dogs who bark at them in Quebec. An obsessive complex affords one the privilege of straightening the line, counting in time and putting the rabbit en route.
If it is the case that detachment follows from distance then I am one cactus length away (average, or medium sized cactus of course) from destroying the moon's mezzanine, housing all of the dreams behind ethereal, Egyptian, colored crystal that a pagan god stole from a black hole, never intended for you or me.
Love is paper mache; a pop culture artifact. Like a stuffed hare that seems to have lost its ability to come to life after one loses their virginity. It has long legs and keen ears. It's very fast and would be quite handsome as well if it wasn't so **** helpless. It has been bred into the fibers of contact, the filter we set on lust, the way recycled cans make castles on lily pads and dead skin makes dust. We are swirling around in its whirlpool, if it wasn't drowning us we would be dead by now, same goes for the mad, mangy men who will count their teeth with their dimes and pick at their scabs, finger their sores, the retired professor who was too clever to have ever been faithful, the mockingbird that sings on my windowsill every morning in French, the mailmen and the dogs who bark at them in Quebec. An obsessive complex affords one the privilege of straightening the line, counting in time and putting the rabbit en route.
If it is the case that detachment follows from distance then I am one cactus length away (average, or medium sized cactus of course) from destroying the moon's mezzanine, housing all of the dreams behind ethereal, Egyptian, colored crystal that a pagan god stole from a black hole, never intended for you or me.
