It will correspond to fulfill as predisposed by Vernarth, always having the contemporary desire to melt the Shofar, to later recast them, manifesting to lead him to meet his most fervent past, reunited with his brother apostles and the omnipresent Messiah. Archangel Uriel commanded this plan that he had for him, as an always fertile ex-vow to any possible imminence of insubordination. Indissoluble and intact, they go up to the tracontero Eurídice, stowing the supplies for this long journey like a proclamation of the Thesaurus or treasure of the blade of a propeller of Zeus, which has already had to open these waters together with the evangelist. They board and the anchor is raised, Procoro made encouraging signs to everyone, saying goodbye to them and then returning to the hermitage. The rest of the fuselage was embedded in the waves of the roadstead of Skalá, Raeder played with Petrobus on the deck laughing at all times where everything seemed requisition and sadness. Eurídice would go to the mask for a few days, to transport them all and guide them, this guaranteed that they would always have good displacement and navigate without having any details.

Vernarth describes: “The apostle would be accommodated on the deck near the prow, while I organized the cordage and the powers of Uriel, who would always be close by giving them the zephyrical winds of the Meltemi. Taking the route from Patmos in the Aegean Sea through the northern Dodecanese islands. Saint John when he was going off the west coast of Turkey he prayed and was remembering the port of Skalá. Patmos… his "Inisi Apokalypsis", leaving behind the picturesque monastic island, with traditional white Oikos, crystal blue waters with his vibrant spiritual life. Where Saint Ioannis heard the voice of Yavéh and wrote the Apokalypsis, as well as the three small cracks in the rock through which he reached the voice that symbolized the Holy Trinity before him. They cross Rhodes, the largest island in the Dodecanese in Greece, announcing Uriel of the ancient ruins and the remains of his occupation were by the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Street of the Knights and the palace of the Grand Master, similar to a castle. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in his ecclesiastical duties "

With too much Greek Cypriot waters, of what is current, they arrive in Limassol / Cyprus. Here they land one day. They get off the Eurydice and head for the Paphos road. To the archaeological treasure, keeping in its memories, adjoining the Greco-Roman theater, built in the 2nd century BC. They pass successful rolling through the vestiges of time, all thanks to the timeless Parasychological Regressive Memory, which Vernarth was perpetually narrating to them. They cross the private Roman villa, the House of Eustolios, a public courtship during the early Christian period. Balaneion complexes and rooms with floors covered by beautiful mosaics from the 5th century AD. Others The Paleochristian Basilica already dates back to the 5th century, with a Nymfeo, dedicated to the nymphs of the waters, and the Stadium, from the 2nd century AD, removed one kilometer from the site. They transform the cordon of the mosaics of the House of Achilles and the House of the Gladiators, in a neat state of conservation, with their precious colors they covered the floors with the same carefree footsteps of each one belonging to the vivid tones in their great work, when Vernarth already traps the era of history in his chronic winnowing. Here Saint John kneels and implores profusely for the souls of Christians who have fallen into the stigma that the first miracle of this pilgrimage to Limassol will entail. Everyone was silent. They leave Cyprus, and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was up on the ship. They all jump for placidity! Seeing that the champion of the Koumeterium of Messolonghi, Vernarth's brother, was added to them. Vernarth: “Khaire !! Happy is my soul, which distills like a lineage psaltery, carrying your image through the flowers of Limassol! They all hug him and get ready to lift their locks! "

“On this vertebral nature and in this pilgrimage of uprooting of the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea sparkled like a mirror showing them the feet of the Messiah floating in the Sea. The dark clouds settled and ran over the surface of the sea like sheep in their Oviedo ..., the palm of the Nazarene were snorting over their calorific ***** produced by this surprising stampede. The apostle embraces them all and asks them to approach the line of the amberjack, to raise it on the seabed where the Dimiourgía rests.

The Apostle approaches with his bony little hands, snatching the swivel links that are located near the point of the anchor lever. He presses with his hand the rope of the Tracontero, invading with his thumbnail the vine that is formed from his line of him. He begins to pull it several times…, every ten meters he looked at the sky and noticed that some majestic, implausible glares shone. He remains jealous of the gaze of everyone else, moving in the ship as if they were at sea under the ultimatum of a great whirlwind. Saint John looks at himself in the mirror of the water, and he saw how he pulled his body de él, as in Galilee when his Master did, he saw how everyone laughed and delighted in stopping time to laugh with him inaugurating a thousand years of liturgies.

The Hellesponic Sibyl (bis): “holds the Vas Auric, the last emblem of the Passion represented in the chain that levitated in the hands of Saint John.  As appropriate, on its straight and immediate folio representing the Crucifixion of Christ on the bifacial  Golgotha (G - G) Gethsemane and Golgotha. The intervals were self-selected by being recorded in the stalls that were close to the musical techniques of work that inspired the Sibyl of Hellespont, she approached with the articles and the belongings of the altarpiece of herself, decorating them with passions that were represented in the enfiles eleven days before aldehyde was sprinkled on them of the first degree on their heads, to leave them in the open, and posterity came the goddess of darkness Nix, spilling macerated and sour petals on all of them to inhume them in the blasphemies of the god Erebus, in the deep fire, devoid of any marginal lethargy to redeem you from Chaos.