Some of his faithful crews of Alexander the Great could be seen from Asia through the labaros of the Phalanx. Ursids and Amphibians appeared coming through the nearby pass from Gorgan. "The Red Serpent" was a defensive construction, from here came the palfreys of Alikanto, provided with large litters of animals for the entity attached to the cavalry of Alexander the Great. This incredible barbican begins on the Caspian coast, north of Gonbade Kavous, and continues to the northeast and disappears into the Pishkamar Mountains. They continued on the buttresses together with Bears and Leviathans, they were part of the totemic dreams that Vernarth had when he assumed hallucinations doped by regressive tours through hieratic spaces when falling in trances and joining in connection with his pet animals, in rhythms and waltzes of the ovation of the timpani. Alikantus, came flying swiftly almost without stopping and without being distracted, he brought the potions and armory instruments from the panoply. He came already ready for the hours that they came to fill out details before taking the game with the Heavy, Light and Thessalonian infantry.
Among the most elementary of his mission was to make the protocol of the potion, broadcast the preaching together with the Woodcutter, and distribute the javelins to the Hetairoi of Vernarth.
By anchoring the cerulean hooves of the unknown fire of the Gods, he manages to glimpse how Vernarth was taken from the back of an attacking Elephant, he was also accompanied by Alexander's cunning guard dog called Péritas, who insinuated him to get ready and get up with the wind in bellicose stratagems. Vernarth was coming from his last frugal ****** session, to institute sinewy vegetal lianas that commonly remained with some of them, and were cut off in his cephalic and jugular vein, harassing his ******, which always spread on Cocoon laurels, and by averages of intricacies that he had to gulp down for a few days. He would continue to be united daily with the infinite that saw him born, as the greatest Commander of Alexander the Great, neither imagined nor collated ... The Gorgan wall had a length of at least 200 kilometers, greater than any of the Roman walls that were outlined in archeology as bastion works. It was exhausting to exceed it and to take a course with the beasts, since they were restless when being near Tel Gomel, when they sensed that they were approaching the bed of Vernarth; because they were his very adored pets along with the Tupak Crocodiles. The chestnut was prescribed by a guard of the wall of Gorgan, being of the Persian army that was seduced by the bears to fight next to Vernarth.

Next to Bumodos, Vernarth could already be seen playing with his pets, Bears, Crocodiles, and Alejandro Magnus's hound. Further, she would submissively approach, shaking his frosty neck, Alikanto or Alikantus proceeded with donations and drugs for his master brought from phalanxes conjured by Medea. Vernarth was seen almost emancipated from branch harvests and venal strains, which mostly populated his chest, and both arms full of pestilential tattoos that had colonized him. Almost at dusk on the sprouts and hairs of Zeus, the phalanges of Vernarth begin to arrive. The Macedonian Phalanx was an infantry formation created and used by Philip II, and later by his son Alexander the Great in the conquest of the Persian Empire. The Macedonian phalanx arose, in fact in response to holistic Hellenistic modifications and tactics by Theban, Epaminondas, and Pelopidas strategists of land forces, who deployed in the early 4th century BC. C. to oppose to the superiority, although already decadent the Spartan hoplitic formation had exerted in the terrestrial combats between the Greek polis until that date.

The European Sibilla carried Gladius in his hand but he exchanged it with the Xifos in alternation for the death of innocents entrusted by Herod the Great, and for the evasion of the Holy Family into Egypt. This confirms the liturgical grouping of the Easter Triduum; alluding to the passion of Christ, and perpetrating the pain of the Devout at his death, and triumphant at his resurrection. The sense of surrealism transports Saint John digging in all the layers and hordes of the Faith, his composition of tribulation moved in the Egyptian and Greek cartography, mobilizing the triangular areas of the Phalanx, which moved in a geometric block reaching the edges of the hypotenuse gradient and the wind tunnel that raised them, cornering the beast that visited them, pretending to be weak and imprecise.

While the sinkholes collapsed into myriads of suspended substances, while the two swords Gladius and Xifos were filled with Greco-Roman blood. Here he vegetated the verb of Elijah in the ****** resurrection with similarity to the triangular body Lazarino that was seen crawling by the towing power of the ionic Phalanx in his equistadio. They were X Beings who abstracted a Ser x start in its algebraic contradiction; an unknown, or something that could take any amount, in other words, something unknown, for the algorithmic links to provide resurrection corporality in Lazarus of Bethany within its angles of Sacred Geometry. The airones of the oscillation presented viviparous futures in observance of visions and perplexity of conscience, ruling physicality that becomes resurrected in the rabbinic worlds from the highest, occupying thrones in parentheses, more than three times ignoring belief through greater disbeliefs than the direct and shorter truth. Elijah is attracted by the Cinnabar he pondered in a Jewish apocalyptic, in the fourth Esdras ..., at the end of the dissolved worldly reign, and who dies in the Messiah itself. Satan never tires of attacking the credibility of the Phalanx in collectors of dispensationalism, being strongly subject to the Carmel of the infidels who never revive in their own unconverted bodies.