if there is anything left here we’ll find it – dig it out of the rippling earth, So we can mold it; ******* – by the immense pressure (of the bulldozer) (of the needlepoint) pointing towards our future (of the system) caressing the victims and swaddling the thief’s throat, chest, straight-jacketed to the depths of near death near the light of the universe expansion boiling in the brains of us as human and we as human have worked this earth to ruin and died ourselves from exhaustion
and held in the calm stirring of waking up every morning— satin sheets and pampered hands, where there’s gas in the car but it’s not too far from crumbling like that bridge that lost its footing on a spontaneous mid-afternoon swooning, falling for the water being so….close…. ….to flooding. The dams don’t hold a chance To the masses of hands beating back I’LL DIE WITHOUT IT DON’T TAKE AWAY MY MAC; I’ll cry because they’ll die without swallowing the puffy blue air and breathing the red diamond waters.
And the caves could never whisper to the drums of those whose ears beat drums through their headphones; the leaves cant drip on the tongues that are inside other peoples mouths
and I wont allow sorrow to seep in my bones for all they’ve missed because while they kissed the soft bellies of misfits I rolled an underwater bull on its back so I wouldn’t drown—
if there is anything left here
I’m not sure the soft glitz would catch the cones of the greedy souls diving for pearls
i’m sure we’ve missed it
I am practicing writing and performing my poems so they are being constructed quite a bit differently, because I allow space for pauses and use the structure as a vocal guideline. If that makes any sense. It seems very metaphoric and choppy, but if spoken correctly I think it has potential for fluidity.