Mar 2021
The streets fidget at this intersection at gazes of stone men / sweeping birds in the gusts of a smug exhalation / The signs say they aren’t meant to feed the pigeons / falling onto the pavement like confetti /hoping for crumbs of compassion //
In the morning hid behind a mask / we exchange glances of belief / truths etched in our silhouettes as the eyes / paint vivid portraits of what must exist/ in the blue, green, grey, brown / hazel or amber inlay of the other //
The times when our smiles were obscured in sunlight and streetlight / people bled onto the path in a diaphanous glow / The invisible slipped past our eyes / but not of the stone men / They have always been solid / sentinels of our displaced pulse / as we erred in the manner of stone //
In the morning hid behind a mask / we exchange glances of belief / truths etched in our silhouettes as the eyes / paint vivid portraits of what must exist/ in the blue, green, grey, brown / hazel or amber inlay of the other //
The times when our smiles were obscured in sunlight and streetlight / people bled onto the path in a diaphanous glow / The invisible slipped past our eyes / but not of the stone men / They have always been solid / sentinels of our displaced pulse / as we erred in the manner of stone //
At the Dag Hammarskjold Plaza in Manhattan, in the company of stone men and pigeons ~ the idea for sculpture poetry grew out of the figures that haunt the plaza that is devoid of as many people as in the days before the pandemic.
