i From the streets of Dublin the hordes re-Joyce as Odysseus waxes lyrical with colloquial finesse his golden tongue spitting fire steamrolling the jargon wagon on stairway rails from tube to paper.
Live stream of consciousness flows from depths below bellowing out of shadows an intoxicating wave breaking the surf on black peaks of spiked stone keys typed in gonzo.
ii Aristotle stood firm at the pulpit in his symposium while his quill penned poetics preaching the genius of metaphor and metaphysics.
Embryonic parsel-tongue waving a wand in wizardry from ink fountains bursting on parchment delivering the gift of ribbon wrapped eloquence.
iii Unbuttoned rolling flow in fluid monologue skipping ropes of jazz speak unedited unfiltered rivers where rough diamonds are crowned king.
Standing on one leg inspecting the heart the past fell growing arachnid telescopes and digging in every anatomical tract to extract the distilled essence.
iv Musical motif shining constellation of text tessellation
Lyrical relief binding formation to flex evocation.
v Vineyard winding with jump cut scenes fermenting fruit ripe for the picking inducing intoxication laced reading sliced and spliced a chalice of spice blinking weaving overflowing.
Godard's lens zooms blooming in district cloud nine rolling ***** of raw nervous energy shaking from screen to belly.
vi Magician of allusion pulling Shakespeare out of his hat peeping from leaves of grass and Walt's multitude of class.
Join the dots and fill in the blank to a spectacle for spectators wearing spectacles who open their cans of interpretation worming out and ransacking the sack.
vii Unchain the shackles of form abandoning umbrellas for free falling s n o w f l a k e s
viii From Greek theater's staging Freud's favourite play to a trek with a scarecrow, a tin man and Dorothy's pet lion the hard to swallow jagged little pill pulls the wool over hollow eyes.
... the lowest form of wit ... the highest form of intelligence - the wilde wit-king wrote wearing a fab fur coat.
ix Jigsaw piece of the trivium with five canons plugged into the auxesis aimed at the poet while unfolding inner turmoil and cleaning out the cobwebs in the closet of self.
The only thing worth writing about is the human heart in conflict with itself
Inspired by several of T. S. Eliot's essay's relating to Modernism & lectures by Duke University English Professor Victor Strandberg as well as Gregory Wolfe, writer in residence at Seattle Pacific University, and editor of the literary journal .