Adhered to the ancient parallels of the cult, the mythology of Horcondising lashes out. Stale and axiomatic source of pragmatic and rational earth that emanates from this constricted fusion of the Universe in metamorphosis of the Duoverse-Horcondising. Social and genealogical plates date more than seven hundred years from Lombardy and northern Venice in Italy, Spain and France. The mission of Horcondising is the pastoral myth and Chaos of the ancestral family cenacle, in view of a family rule, succeeding in continuous litanies that consecrate rites beyond genetic archaeological death. The consolation of the souls will revive and will be under the edict of the Sub-mythology in repose landing and successive parapsychological regressions, which will speak of deaths suffered at the edge of their test tube lives, but of clinical rejoicing and not of victory under a rune that expires death from beyond in the "*******", approaching people from their helium’s and their functions constantly, as a goal of collective-suffering life, active and systematic helium genetics.

Under mythology, there is the sub-fable, prone and with boundaries where language innovates the entire structure of hermeneutics, as written notification and complacent verb, for the lords of the wheat fields and granaries, narrating myth-stories in trouble of revived verbality. Thus in Rhodes and Patmos, Andronicus from  Rhodes will once again guard the doorway of his hobbies, so that these disciplines are conducive to sponsorships of words under the reasons of nature concerning Saint John the Apostle resurrected carnal and spirit, in contrast to the conclusions of the reason to leave breathless fate that cheers the good and disapproval of diction of not certain science, under the ships that cover the commendable salvation in the exegetical storms that go from a liberated patronage, as well as in what differs from the et grammatica institutione arithmetica in which each one writes what she understands and adds what humanistically makes existence in a biblical alphanumeric dimension, of the imaginary in some of its leaders such as Zefián, Borker, Leiak, Kaitelka, Hyperdisis and the Zig Zag Universes.  Making the mythical an ensemble with the deities that rule the infinite, achieving more secular religiosities than in a religion radius, founded by characters that are already pagan mythology. This is the raison d'être of the sub-mythology, which springs from one already narrated and rationalized, but in the contradiction of what lies beneath the very observance that joins forging itself creditor of newest myths within others, with characters that have never been or have been parasitizing on another source of cognition. Thus becoming extensive and prolonged its passage in lies sumptuousness of other arcane myths within the same that inhabit the mythological lie, without blemish from a veracity belonging to the living-lie in pursuit of a dead-truth. Even if it is in this way or hermeneutical method, beating and going to meet the Imaginary Castle of Horcondising and the Camera Obscura, which always lives and revives in the sub-imagination, but from a mythical truth in a regime of multitudinous voice and of mythopoetics.

From the sooty Camera Obscura the spindle was obtained over the diameters of each edge, Vernarth of the same chaos, converged from the square but not spherical world, from this sooty box together with his butler Zefián, shooting vines of light over the projection of the same box and quantum ark on the acropolis of Leiak, pretending to be in its projection the ultraviolet light in light in similarity to the earth, but not square, rather appearing to be a square sphere. After repeated intervals, Vernarth opened the slits of his hands, also hollowed out, here other spheres appeared, but not spheroids, rather quadrilaterals at the end of the third phase in the last three serials that showed the full reflection of a tiny world that just cried out amnesty as a matter that had been beginning to form with another factor on a large scale, from this fractality that would appear as Verthian sub-mythology. Camera Obscura, in a combination of twelve atomic masses, stands out starting in the irradiation of the sexagesimal nomenclature; imagining fractionality between sixty microseconds to sixty in the hexagonal polygon of the Primogeniture and the Baptistry of Ein Kerem.  Being used in the elevations of the stars and the Heliac Ortho of dawn, which would find the black box that was nestled in its twelve apostolate angles. The whole times were divided into more exact numbers that surrounded him in his Camera Obscura doing trigonometry with the three equilateral rectangles, making multiples of twelve on the line of the hypotenuse of sixty, dividing by the hexagonal, which is the angular line of six Progression sides of the Duoverse becoming square spheroid, for an analogy of Hexagonal Birthright with the multiple of twelve for the sake of the Camels Gigas, leading them to obfuscate the Horcondising fused with the Duoverse, by means of Pi (π), in the diameter equidistant between the Universe and the Duoverso disintegrated in two by the concentric radius of both geometric units. So too, Vernarth multiplied the existence of his new sexagesimal world by sixty followed by infinite numbers of zeros, canceling the radical time of the masses of the anodyne particles. The corondels  or watermarks, overflowed with all the irregularities of the system, showing the decimal after the comma, to separate them from the definitively autonomous universe of quantum physics.