Jun 2020
Chapter VIII
Alikantus harangues Medea
Alikantus paradigm of Alikanto in his astral journey just three days after climbing in Gaugamela ...! The corners of anxiety buzz after lightening their igneous hooves by the slippery stones of the footsteps that seemed to be the same projections of their tasks that marked the Tracian soil before arriving at the request of their harangue. He resorts to Medea, before arriving in Thrace after wandering around different places in search of protection and advice to protect his master Vernarth. While He was submitting to his last opioid libations of vivid liliaceae from angiosperms encapsulated by his right pectoral. That was Alikanto's missive. Ask Medea for a potion so that she can supply her master to deflate his breastplate, and thus be able to use his Panoply breastplate in combat, since there were three days left for the duel. Medea arrived in the city of Athens on a stormy day with great dark Dantesque gray on the palm of the cliff, previously escaping near Abdera, whose east came evacuating black poetry to the west. Medea, while looking at the sky, took a piece of feldspar coal, to create the aluminum javelins that Alikanto would have to carry on her return, along with the potions to deflate her infected chest. I paint the sky with gray lattice lines later lodged in its crooked bun.
He could see from infinity something that came mounted on an aluminum beam, whose face seemed to be a king, it was Aegean, who not only offered him hospitality but married Medea in the hope that his sorceries would allow him to conceive a son despite to the advanced age. The sorceress fulfilled her expectations, having from her a son named Medo.
When Theseus, the secret son of Aegean, arrived in Athens willing for his father to recognize him as heir, Medea took him as a threat to his son's future, and attempted to poison him. But Theseus discovered her and, accused of committing horrible crimes and witchcraft, Medea had to flee again. In this crusade she had the assistance of Alikantus, who transported her flying from Abdera, so as not to be captured and supplementing the potions that Alikantus had requested, also with the aluminum javelins that she had to take to Vernarth, to escort him in the majestic affront.
Thus, Medea is the archetype of a witch or sorceress, and they share their status as an autonomous and unusual woman, contrary to the ideal prototype of the time, with Calypso and Circe, among other Hecate and their instructors. I take a cauldron in which I had prepared a potion. Shortly after this a young foal emerged from her. Because of this relationship, Medea went to the icy waters of the Lete River to reenchant their lives in times past. This is how she takes hold of the sheds like the wings of Alikantus, to invade the estuaries and collect with her mouth the blue water displaced from the purgatory sky, so as not to stain with her ****** hands after having committed harassment with Jason.
They subtracted the ooze from the three days of the Solstice, to pounce with the south wind to meet again Vernarth in Bumodos. After Medea bathed in the beautiful melodies of the Lete river, the masculine sphinx of Likantus continued to undress her from all past Lives, as in ****** fusion consenting and thanking the rhythm of her onslaught for the great display of her sorceries that by misfortune comes, it signals revenge for the righteous and reconciliation to the unvenged opposites.
As the Solstice began, there was a lumberjack near the love nest between the personality of Alikantus and Medea. He interrupts them when Alikantus hit the slopes of his buttocks so that the potion bounced by his navel to take Gaugamela.
The Woodcutter says: "Visibly used to seeing these scenes in Lete, he tells them that he has had to carry these axes in his hands since he was a child." I have never cut a tree, but I only follow these proportions that speak to me as a child when I was ordered by my parents to follow these cultures. My cult is not to treasure anything, much less accumulate rumors of tree species. I am only pleased to see one day a slight glimpse of Medea's face in me, who is part of her under this spell of never being able to bring her wood, on the contrary a song of her many passionate loves, even of her vengeful gaze when she is not. beloved, who underlies the worst poisoned evenings, even gazing at them with unpoisoned eyes with the miter in my hands.
Medea answers: To infinity, on the other hand, if I am uncomfortable with principles, how could I suggest that your my woodcutter will be imperishable? Because your own beings grow dependent on those who do not believe they are beings who end their lives in the same way. Since you are the bearer of an ax, your conscience is to become a more capital statement of the Truth. As a unit of my imprecations, I must take you to the last survival merits of my beautiful melodies, but of fatal songs of death.
So your unit from today will be the same as yours, product of your parents' inheritance, and the other will be mine, which I have deposited in you to protect Lete. As I mention it with our blessed dance that Clovis suddenly and manifestly says ..., the river Lete in the underworld, dissolves your Memories, cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hipnos. "Lete is not the place you want to go swimming ..."
Puzzled The Woodcutter looks at her and passes the ax to him, so that he can give it to Likantus, as a means of thanks to Vernarth prostrated in the disenchantment of the war spells, like tree limbs in the arms of his seeds, more than regrets. I am a woodcutter who never cut a tree, because through this offering I will give my ax so that Vernarth makes this circumcision with his talent those of others who are so many, less than what I can never count.
Medea comes out of this charm. Run away without a trace. Only this steed with its golden wings remain, pale as the day of good half-hopes. She takes the potions with her muzzle, weapons and the ax of good wood. Skewing its course, it takes flight to the north, to approach the villages of the gangs and cavalries by thousands who were heading to the vicinity of Te Gomel already in the jurisdiction of Vernarth. Day and night the Likantus Arengas flutter to repeat their same episode lived with Medea, towards the commanders to get them ready to shake their swords.
To be continued / under editing
Alikantus harangues Medea
Alikantus paradigm of Alikanto in his astral journey just three days after climbing in Gaugamela ...! The corners of anxiety buzz after lightening their igneous hooves by the slippery stones of the footsteps that seemed to be the same projections of their tasks that marked the Tracian soil before arriving at the request of their harangue. He resorts to Medea, before arriving in Thrace after wandering around different places in search of protection and advice to protect his master Vernarth. While He was submitting to his last opioid libations of vivid liliaceae from angiosperms encapsulated by his right pectoral. That was Alikanto's missive. Ask Medea for a potion so that she can supply her master to deflate his breastplate, and thus be able to use his Panoply breastplate in combat, since there were three days left for the duel. Medea arrived in the city of Athens on a stormy day with great dark Dantesque gray on the palm of the cliff, previously escaping near Abdera, whose east came evacuating black poetry to the west. Medea, while looking at the sky, took a piece of feldspar coal, to create the aluminum javelins that Alikanto would have to carry on her return, along with the potions to deflate her infected chest. I paint the sky with gray lattice lines later lodged in its crooked bun.
He could see from infinity something that came mounted on an aluminum beam, whose face seemed to be a king, it was Aegean, who not only offered him hospitality but married Medea in the hope that his sorceries would allow him to conceive a son despite to the advanced age. The sorceress fulfilled her expectations, having from her a son named Medo.
When Theseus, the secret son of Aegean, arrived in Athens willing for his father to recognize him as heir, Medea took him as a threat to his son's future, and attempted to poison him. But Theseus discovered her and, accused of committing horrible crimes and witchcraft, Medea had to flee again. In this crusade she had the assistance of Alikantus, who transported her flying from Abdera, so as not to be captured and supplementing the potions that Alikantus had requested, also with the aluminum javelins that she had to take to Vernarth, to escort him in the majestic affront.
Thus, Medea is the archetype of a witch or sorceress, and they share their status as an autonomous and unusual woman, contrary to the ideal prototype of the time, with Calypso and Circe, among other Hecate and their instructors. I take a cauldron in which I had prepared a potion. Shortly after this a young foal emerged from her. Because of this relationship, Medea went to the icy waters of the Lete River to reenchant their lives in times past. This is how she takes hold of the sheds like the wings of Alikantus, to invade the estuaries and collect with her mouth the blue water displaced from the purgatory sky, so as not to stain with her ****** hands after having committed harassment with Jason.
They subtracted the ooze from the three days of the Solstice, to pounce with the south wind to meet again Vernarth in Bumodos. After Medea bathed in the beautiful melodies of the Lete river, the masculine sphinx of Likantus continued to undress her from all past Lives, as in ****** fusion consenting and thanking the rhythm of her onslaught for the great display of her sorceries that by misfortune comes, it signals revenge for the righteous and reconciliation to the unvenged opposites.
As the Solstice began, there was a lumberjack near the love nest between the personality of Alikantus and Medea. He interrupts them when Alikantus hit the slopes of his buttocks so that the potion bounced by his navel to take Gaugamela.
The Woodcutter says: "Visibly used to seeing these scenes in Lete, he tells them that he has had to carry these axes in his hands since he was a child." I have never cut a tree, but I only follow these proportions that speak to me as a child when I was ordered by my parents to follow these cultures. My cult is not to treasure anything, much less accumulate rumors of tree species. I am only pleased to see one day a slight glimpse of Medea's face in me, who is part of her under this spell of never being able to bring her wood, on the contrary a song of her many passionate loves, even of her vengeful gaze when she is not. beloved, who underlies the worst poisoned evenings, even gazing at them with unpoisoned eyes with the miter in my hands.
Medea answers: To infinity, on the other hand, if I am uncomfortable with principles, how could I suggest that your my woodcutter will be imperishable? Because your own beings grow dependent on those who do not believe they are beings who end their lives in the same way. Since you are the bearer of an ax, your conscience is to become a more capital statement of the Truth. As a unit of my imprecations, I must take you to the last survival merits of my beautiful melodies, but of fatal songs of death.
So your unit from today will be the same as yours, product of your parents' inheritance, and the other will be mine, which I have deposited in you to protect Lete. As I mention it with our blessed dance that Clovis suddenly and manifestly says ..., the river Lete in the underworld, dissolves your Memories, cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hipnos. "Lete is not the place you want to go swimming ..."
Puzzled The Woodcutter looks at her and passes the ax to him, so that he can give it to Likantus, as a means of thanks to Vernarth prostrated in the disenchantment of the war spells, like tree limbs in the arms of his seeds, more than regrets. I am a woodcutter who never cut a tree, because through this offering I will give my ax so that Vernarth makes this circumcision with his talent those of others who are so many, less than what I can never count.
Medea comes out of this charm. Run away without a trace. Only this steed with its golden wings remain, pale as the day of good half-hopes. She takes the potions with her muzzle, weapons and the ax of good wood. Skewing its course, it takes flight to the north, to approach the villages of the gangs and cavalries by thousands who were heading to the vicinity of Te Gomel already in the jurisdiction of Vernarth. Day and night the Likantus Arengas flutter to repeat their same episode lived with Medea, towards the commanders to get them ready to shake their swords.
To be continued / under editing
ALIKANTUS HARANGUES TO MEDEA
