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May 2013
Pearls falling
on the stone steps outside
Neon lights reflected
in the rain puddles
“Bang, Bang” Nancy Sinatra sang
“I shot you down…”
The music faded as I walked away
Movie posters lined the brick walls
Framed lovers embraced
One another
Between frozen portraits
Of atomic monsters
And art house flicks
While looking away at the box office girls
Slender and fixed
Up for the customers
And troubled youth;
Their tenacious allure
for a requiem
for the living
Cathedrals replaced by tower records
And Chinese restaurants
Withering, zealous loan sharks
Feasting on squished dreams
Licking their teeth with their tongues
Smacking against the laughter
Of festering sodomites and
Plastic-injected food
Basking in pools of molten gold
And sliced actors
I was in the middle of this
Me
Enforcing the invisible layer
Of success in the city of Angels
Where demons of entertainment
Pull the strings
Like Bela Lugosi said.
Moving through the Hollywood hotel
I hear moaning voices
Creaking beds
Loud televisions
Shouting and blaring beats
I open room 314
And walk in
The wallpaper peels like a corrosive blister
Mr. Poe sits at his desk
Waiting for me
He pours a drink
I abide
He passes me an envelope
I feel its thickness
I open it up and flip through
The bills, placing it in my inner pocket
I nod and swallow the bourbon
And leave
What pulp magazines tell you
Of the underbelly
The style, the glamour
The women, the one-liners
And thrills are replaced by
Shattered morals
Broken bones
***** stained stool pigeons
Slaughterfest racism
Taxi backseat *******
Where joints and blood
Spent napkins, clean the mess
Of the seats.
Through clubs and social abundances
I find coked-up fiends and producer hugging
Sycophants.
Laughing, smiling, drooling, kissing
Any who will profit
Able to get in line
To be the next big thing
On the silver screen
Or at the bottom of the sea
Under
Santa Monica pier
Watching the group of
Empty flattery, heartless groping
I follow and keep my distance
3 hours later
I knock on their fancy hotel suite
Just when the door unlocks
I push it through
And pull out my gun
They scream but they know
Who I am
And who I work for
I instill fear back into their
Comfortable lives.
They have debts
They own their luxury to to others
That was the price
They sold their souls and bodies for fame
And they will all eventually pay
I remind them what could happen
I shoot through the mirrors and glass
I pick one up and dangle them over the balcony
I find one member of the social party who does not belong
Who is not worth any thing
Who is expendable.
I grab that one and exercise my warning
My superior’s warnings
I bash his skull on the ikea coffee table
I pick up the vase of flowers by the side
I dump it all over him
I pick one white rose and
Dip it in the collecting blood
And watch it stain the flower
I lift it up and show it to the room
Still eyes and sweating faces look at it;
At me and what I represent:
A winning hand
A knock-out punch
Wrath personified
Callous, methodical, professional, indifferent
Mr. Libestraum is who I work for
Mr. Schyman is what I go by.
My point is made and I leave them with the body
I walk out and call my people
My part is done.
I walk out unnoticed and paid
Pay a vendor for coffee
Sit along the bench and wait for the sun to rise
On a new day.
And think back to what I was told when
I saw my first hit,
“Welcome To LA.”
Trevor Gates
Written by
Trevor Gates  26/M
(26/M)   
  1.8k
   Sahra Maxwell and Chris T
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