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Apr 2013
What I know
about the tops of swing sets,
paint peeling over rust spots,
the arc of the swoop,
all the land falling silent,
the curve of the earth.

It was a moment
before gravity coaxed us back
down and physics hurled us up again,
chest out and flying,
having joy, having fun,
singing โ€œSeasons in the Sunโ€
over and over and over.
We surveyed the concrete tunnels,
the sun-bleached dirt expanse
of second grade off Juan Tabo.

Within the year
weโ€™d moved to cities of grass
and we flew
under the shade of trees,
over two levels of soccer fields
and a forest beyond that,
tetherballs obsessively circling
over spots of asphalt.
The third-grade boys
were already chasing birds
but we chose to fly, fly, fly.
Everyday our feathers rent flying,
wind-riding, sailing off the seat
and landing in the soft dirt spot
worn into the Missouri grass.

One day
my bird friend Laura landed on the root
of a big oak tree, hands first.
She stood up, dusted off,
and walked with southern poise
to the nurse.
When she came back that afternoon
she was grounded
in a white wrist cast.

And the boys caught her after that.
This was my workshop assignment this week, to write about nature in the vein of poet Mary Oliver. The closest I could get was to write about my childhood playgrounds in New Mexico and Missouri.
Mary McCray
Written by
Mary McCray
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