I met two Gods on the road each was the same by their book right down to the sandalled gear shared across two thousand years penned by men with intent good and bad with in-between to describe who I had met the middle one was not there
perhaps they took a holiday that middle-person of the three vacationed in a different place while the others showed their face sadly this was not the case to be lukewarm was taboo there was this pair in the end present in the sun’s hot glare
one bowed their head in response with full knowledge of who I was a courtesy I’ll not deny given the trespass in my life the whole of my desires identity mixed into the same mattered less than who I was respectfulness for due grace
the other spit upon my feet railed against imagined sins with a story already set lurid words seeing red a cardboard cut-out became my role as I stepped to one side already knowing I was not the one the target of tirade’s harm
each God of Heaven had their say before they continued on their way one with a nod to who I was another sneered without love I’m left to wonder who was there lived beyond the scribbler's pen the answer lays in human choice deciding which to present.
The poem “Two Gods” was inspired by the contrast between how I am treated by individual Christians and how the more strident remarks of religious organizations. I have only complimentary things to say of my Christian friends, especially those who I’ve met through social dancing. These people are at least somewhat aware of who I am. They put aside the cookie-cutter condemnations. I am treated with a degree of respect and compassion. I can’t ask for much more than this. The “why” of this social dance scene response is interesting, perhaps tied into the cooperative nature of dance, but that’s fodder for another poem.