Submit your work, meet writers and drop the ads. Become a member
Feb 2019
so, i was waiting for this one for several
days,
   dribbling - if that's the best
to express: anticipation...

            and...
                   thank **** i brought with me
some left-over ***,
and some whiskey...
  because... if those weren't handy...
i would start thinking:

  this is a horror movie...
or an art gallery?

         in question? the neon demon...
sure, sure,
i've hear snippets from the critics,
i've heard the soundtrack,
what could be bad about
a movie with such a hypnotic
soundtrack?

   oh... right... the movie itself...
ten minutes later,
after i have watched it...
and...
             where was the horror...
you know, the stereotypical
horror of a zombie-esque
male 6ft+ protagonist,
hooded, walking alone
in either the woods
or the out-suburbs...

         oh, right...
that's me day to day,
day to night...
          
    i've seen the face of being
astouded by horror...
me, turning into a walk
down
a low lit alley,
and an old man...
200 metres away,
spotting me, and cowering,
to give me a pass so that
both our bulks of flesh
would fit into the conscrition
of a pathway...

      200 metres away,
and the ****** still saw me...
let me tell you,
it would have been
twice as creepier
if i just bowed
and implied: you first,
kind sir...

the neon demon... hmm...
fun film...
but is it really worth being
labelled horror, by genre,
and nothing short of:
     "risque"...
     i mean...
          art nouveau...
****... what's the other term
for it?
      (tick-tock-tick-tock): ah!
avant-garde
  albeit mingling with still-life
painting...
   sure, sure,
  i loved all the angles...
and the... colours...
  but... maybe it was the last
remaing dosage of ***,
or the extra whiskey that came
later...
       i'd prefer horror
to be in allingement to
1970s slasher movies...
  where i'd... panic! and no disco...

once again,
a movie that... became overpowered
by the soundtrack...
           come on...
julian winding with the song...
the demon dance...
and the poverty's worth
of a the meagre scraps of the movie...
hey... ooh... ooh...
look at me... listening
to the song in full, solo...

and... what a circus of thoughts
i have to accompany me with...
like...
this example...
   i must be living in some
alternative universe...

just today,
i was walking to my Iraqi Pirate
shopkeeper "fwend"...
listening to some cheap-***
babylonian bongo-bongo
music...

           and just ahead of me...
5 starlings...
which basically implies
5 english girls geared up,
and ready to hit the small town,
with dreams of L.A....
   pristine figures...
cat-walk models...
don't you ever find that
cat-walk models can implant
in you a thought-virus
making you overtly conscious
of how you walk?

   anyway... what time and day
and month is it?
oh...
                 half-term...
    so what i wtinessed was...
a bunch of 16 year olds
(hopefully)
   walking to the bus-stop
from a pre-drinks session
in their council houses...

          i'm too awkward...
big frame, easily spotted...
    and that's prior to watching
the movie...
   hmm...

  you know the one thought
running through my 'ed
when watching the neon demon...
now i love animals...
but seeing what people do
to other people?
    can someone, please(!)
give me an apron and send me
to the slaughterhouse?!
  the whole affair
just took my mind off
(if ever) advocating for
veganism...
              
           all that "excess" furr...
perfected pork chops...
***** of beef...
          and... the fashion industry's
underbelly...
heavenly standards
it would seem:
the fatter the pig...
        the prettier the inverted
Blakean painting
of the great dragon
and the woman dressed in
the sun...
   as... made a fetish from...
by?
                   ralph feans: toothfairy.

one ******* month spent
visiting my grandparents
in Poland,
and here i am,
a month later, upon my return,
just... so, so, so so eager
to welcome back this
cluster-**** of vestern
modernity!

     but those girls?
            those essex girls...
it's... late... february...
and they're out there, tonight,
wearing nothing but
skimp clothing,
   yeah... back in the 1960s...
mid-winter...
   the mini-skirts were
all but rave...
   i'm huddling in a polysterene
hoodie...
gloves...
and they're "out-there"
             donning raw flesh...

like i said, alternative universe...
i think i was told this
was going to be a horror movie...
dunno...
   i look at myself in
the mirror and i see a horror movie...
the hell did i just watch?

  it wasn't horror...
       in the classical concept
of a horror movie...
there are instances in a film...
where you hush the noise
down...
         because the images
are less scary
than the sound beneath them...
this ******* movie?
every time some music
became prominent
i decided to reign the volume
up...

         rare, but it happens...
when a movie is overpowered
by a soundtrack...
        n'ah... this wasn't horror...
it was art...
i give you that...
    that someone being
the director must have really
studied
        edward hopper
     and david hockney...
someone fused them together...
dimmed the colour in david hockney
and made emphasis of angle
           in edward hopper...
of the former and both the latter...
i just love the quote:
  'i just like to capture light...'
first ******* painter to say so...
by any standards of a stretched
imagination...

         me? critic?
              yeah... by way of:
             music was over-powering...
dialogue was... scraps...
         and... compared
to a latex mask...
     those californian models
are supposed to scare me
with their: to become generic
beauty standards equivalent to e.t.?
yeah... i was petrified...

                it's like those people
in tech are trying to avert
    interacting with...
                less robot, more flesh...
but more robot in the end...
  i.e.
        no flesh, all robot...
      but more human in the end...

oi oi chaps! hopes this helps
your algorithms studying
   whatever this will end being...
necrophilia of a desairologist..
seriously?
   that's the zenith?

        i heard that the one from
the city i was born in...
used to play poker with them!

  ah... because nothing that's
human can ever be alien to us...
can it?
                if that's not the case...
then no wonder...
all those poor eleanor rigby
types...
        suffocating in
    a beauty that's no more than
a labyrinth
              of assembled shards
that could never resemble
  the mild discomfort of, ugly,
sedated by the feeling of
an armchair...
             of all the prostitutes
i've ever been with:
   armchair beauties...
       middle-aged... chub...
but beauty that could be made...
mandible;

to add:
     reciproated responsibility...
condoms were in full play...
     not like this russian teenager...
she the cage, me the ******* sparrow...
just because:
that's how you translate emotions...
to a reciprocated zenith...
        no no, no thank you...
i'm better off with a *******
for an hour...
than with a starved russian teen
who thinks it best
to lie about contraception...
   i already mentioned this before...
year later...
   so... her grandmother was
her mother...
   her mother was her sister...
her father was her mother's boyfriend...
and her uncle was her brother...

     see what being dipped
in a lake of naivety does to you?
me... in america...
ha ha... ha ha ha ha!
it's one thing to have visited
russia...
          that pile of croissants?
no thank you...
   it's enough to have to deal
with whittle miss morbid England.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
326
 
Please log in to view and add comments on poems