Tired the long road ends by a sea wall The engine dies to cries of estuary birds to halyards’ **** and tinge A lake of light set in night’s cloudscape brims over the western marshland to seaward a dense darkness On the ferry’s step ear close to the brown water a part-song sings the ebb tide’s flow
II
Threading into the marshland a braid of cloud-reflected water of oval sedge and common reed In amongst the brown canes perspective vanishes only by mind’s foreshortening or body’s levitation is there sight beyond the creeping rootstock By the river path a leaf pearled with glazed dew glistening dew grabbing the photographic eye Standing backs to the horizon a sculpted triad of bronzed ancestors watch over the summer rites of music
III
This ****** field moves clamorously under the feet waiting waiting for the sea’s kiss Proud-coloured the boats here resting poised on railway sleepers beside their tractored guardians How to know which way to turn which view to hold for memory’s stamp this patient sky this slow exhaling sea This foreground flow of white-grey-brown pebbles each sensibly-sized for the hand in the pocket yet substantially-singular on the window’s sill
2013 marks the centenary of the birth of the composer Benjamin Britten. In 2011 I made a pilgrimage to the part of the Suffolk coast where he made his home and established the Aldeburgh Festival.