you made quite an impression on me
old man. Something about the dichotomy
of your mangled mechanical motion
and the cobble stone streets of Portland
-and every other city constructed with a bipedal complex-
made about as much sense to me as a lilac shooting
upwards through the parched desert earth. From the other
side of the street I saw your ***** calloused
hands grasping the wheels of your entrapment.
Hands for horses crooked legs for reigns,
your mind harbors the immutable knowledge that your
wheeled prison can't be escaped. But then, for a moment, it happens:
With a desire for movement unparalleled by even the most
diligent of wayfarers you break free from
the confines of immobility.
you are a great steamboat disembarking
from a familiar port, traversing the
***** rivers of black tar and cement,
fires stoked by the thoughts of what was and is no more,
drifting along to the tempo of a softly beating heart and
the feel of a woman's touch....
it pounds and you listen
and you and her are wrapped
tightly under sheets of linen again,
legs intertwined, arms embracing
the undulating curvatures
of a supple young body
and she says she loves you
and you say its requited
and she says we can make it
and you begin to run your
clean youthful fingers through her hair
and then boom,
your ship runs aground
and you once again become enslaved
to your affliction. Upon the curb
you sit old man, stagnant,
face in your ***** hands
thinking of where
you've been
and where you will never go.