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Aug 2018
***, is such a minor pass, on exfoliating expressions of pleasure, it's overrated, because it invokes such a bias, of bragging... its saturation with bragging hierarchies...

let's just assume, that working out pop music
favoritism, is less, "debilitating" than
attracting the attention of the ultra-******
squad of full bodied latex apocalypse ****
junkies...

           clearly... no one wants a hide & seek
pregnancy errant of succumbing to
the stature of fatherhood, when, the woman
you're involved...
can't tell you the difference between
her mother as her sister,
and her grandmother, as her mother...

oops?!

         but ***-bragging is such a shallow
form of entertainment...
            it's like the antithesis of
the Olympic spirit, with modern mob sports...
jargon this, jargon that...
counter: i am in favor of cult-status horror
movies, minor projects,
low budget... hellraiser -
notably for the atmospheric semi-religious
music strategies... auras...

        but atmospheric horror movies?
no ghouls, no goblins,
akin to that famous case of
marcin wrona hanging himself
having directed a movie about
a dýbbūk?
                    can you seriously contend
with reinventing comedy via
black comedy, dry comedy,
when the horror movie genre has moved
into the atmospheric partake of
reinvention - having
exhausted all the stereotypes,
and given them, a romantic twist?
      
*** bragging is such a minor pleasure...
  eloquence... tenacity...
    supposition: an entire banquet
of countering false allegations...
      all, much more, than mere ***...
           burning, the flesh,
rather than cutting it,
in the insistence of teenage girls...
ancient Roman bulimia rites
      of the transversed
                  state of young adulthood...

so neglecting...
   giving these girls the power of
****** sycophancy, shedding blood...
cutting, slitting, imitating the ***** slit...
never even teaching them,
about heating up a scissor hand,
burning themselves,
and cannibalizing their pain...
           turning it into
a cognitive strength...
              
  the horror genre has moved
into an atmospheric countenance...
comedy? lacking...
can't even find a redeeming aspect of
slapstick...
          where once was black humor...
western comedy,
never, ever, entertained
the concept of, a, cabaret...
it's too entrenched in
   monologist style comic entertainment...

which reads very much
like a slogan akin to:

SAVE THE AUTISTIC CHILDREN!

the bragging will stop,
the ******* embers of sheiks will drop
and drool...
     and ***...
    for whatever it was worth...
    will receive its relegating boot
from mainstream jealousy
          shackling, at the shuffling
ankles;
   mary ******* poppins...
  schim schim schim-n-é...
schim... mmm...
                    whatever...
                        out of all the movie genres?
horror...
         is the most nostalgic,
most melodic,
   of a classical schooling -
         ssss chewing, chart cheap:  
isch contra ich vilderswill...
          double U?  but not double V?
            eh...
                    secondary credit to fantasy
movies...
       j. r. r. tolkien...
would have never believed that
the story didn't make the compelling case...
nor the visual effects...
   but the music? sure as **** did.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
410
 
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