There's a room somewhere,
locked fast behind an unassuming door
looming grey-brown at the end of a
misshapen corridor.

Inside, the relics of a time lost in time
to time.

A mitt, engraved with the counterfeit signature
of a ballplayer whose name once rang a bell,
smelling of adolescent sweat,
still dusted with sandlot crumbs,
a reminder of those ground *****
that sped by too fast to field,
those fly ***** just out of reach,
suspended in a June twilight
lost to time.

Ribbons and awards and certificates,
signed by leaders of puny regimes
paved and repaved over,
proof of a world before this,
an era of (now) perceived achievement,
legitimized, glorified by Old English type
printed on recyclable stock paper.

Ticket stubs from blockbuster flops,
receipts of a linear plotline:
Drama, comedy, a budding romance -
Temporarily amusing on such a spacious screen
but ultimately unfulfilling;
the plot peters towards the end.

Lost in time the boy cries out
with no one left to answer but the man
who, as quietly as he entered it,
exits the room,
as always, leaving the door just ajar,
enough to muffle the shrieks of a little boy
chasing an invisible horizon.