hard to write poetry these days:
when it's a monopoly of lies...
and like a homeless man
had explained his predicament
to me: my mother told me
to never tell a lie...
         as original as the sin
as original as plagiarising
and you will be like the gods,
knowing the diffrence,
between good and evil;
even I can undrstand the
subtleness of an ingenious lie...
but not when it's obvious,
and esp. sickly-candy-choking
and all but: a depiction
of a desperate loss of idealism:
that synonym of innocence...
who is to say that
German Idealism,
           was not the awaiting
guillotine hanging before
the 20th century Mongolian
         repaganism of the Germans?
echoes of the skull pyramids
of Baghdad...
        tsunami of fame
              bulging against the immovable
rigidness of a people in number,
some listening to BBC 4's the Archers...
a past time worth the attention span
of one summer month...
          whatever this Anglo Idealism
is brewing, the scenes of
the aftermath are alredy
poking their Hydra heads through...
the aftermath is premature
unlike that of German Idealism,
which took, so much longer
to precipitate...
        hardly a reason to write poetry,
better start calling it
excerpts from a book
that doesn't exist in head,
print or tattoo...
          and never will...
              too many tornadoes
skim reading the horizon to
be both hysterical
and cool groove Aspen thrill
loaded Luke...
            but this blatant lie:
          that has as much originality
working behind the scenes,
as a dog's bark has
consonant clutches of the crutches
of canines, supporting
the uniform mammalian vowel
construct of exercising ba thing vowels...
catching shrapnel, chiselling
bone and exfoliating wet lungs...
     cul d sac of minds and
tongues working on an already
overworked canvas of people...
     as much as excavating the origins
of a handshake,
     when calibrating
the persistent script of Romans,
    who, apparently only survived,
sombre and delinquent,
and should they remind the current
people of their bulimic ******,
      no more in question as to why:
no laxatives were used,
other than the "name"
  of the father (index)
         and of the son (middle) - fingers -
shoved down the head of the osesaphagus
to agitate it,
like a seagull chic might agitate
its parent to regurgitate
partly digested food.