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Nov 2017
so she write this article, this amanda
foreman,
   a historian and with four girls
and one boy that's almost the fifth and
i'm wondering:
god, where has this headache come from
where is the man?
                life's too perfect to seem
to rhyme, or worth wasting your time
remembering some obscure Versailles verse
worth a shining ****'s worth of
a crown readied for a one-night stand...
**** me, a five+ female household,
i hope these muslim martyrs wishes what
they got themselves into...
   the true martyrs have three entry
points...
           mouth, vaginal, ****...
            if you can't spot the true martyrs
i'll tell you about asking the watermelon man,
or herbie hancocks, or in comparison
by ol' joe...
      treating his quasi-alzheimer stories
like your favourite jazz standards...
herr bitebonbon, dresden, auschwitz,
and some other memories:
  a drowning man will cling to a razor blade
to stay afloat, like any old man:
what bugs him now is not being sad,
but being foregetful...
he replays the rubric every day:
he says:
sure, i'm dead already:
but i want to remember myself dying!
   old people and their jazz standards of memory,
i am old, i feel old,
   oh ma'h feel'ah rob'eh m'on...
   patois or 'alf the pitied peshawar mamí son...
lumberjack my *** were 'ere bootleg
a stump of wood mamí sis...
  ya rite?
           *** we boss the 9,2,3,oh,5...
and call that a freq.,
  man that boy to a prrrrrristine:
shakin' m'ah timbers floating a-high...
man, sum tim' the talk ain't talk
it's called: scare-alley-cat-talk
feelin' a gush of **** talk-ji
  of an incubus toying with ya
little mums' crisp clear elijah of buttock
say in: **** as smooth as
a mouth slicking a rota of a hooplah...
talk cool: play the dumb infant...
next time you know:
   yo be talkin' to mama bear an
pleading for her Mississippi pancakes...
**** you not...
             she a one woman with
a five daughter brothel...
good lucky lucky luke if there's any
eager...
                last time i checked:
neither word, nor piano nor horn earned
****...
        just a nice ref. to: ooze...
  like washington's monologue in
fences didn't earned him oscar:
but a director's role none the less...
lady guesses to choose...
and her choice is always wrong
while her guess is always good...
          my, why a mighty site these days:
a man that stays at home becomes
a better cook than a woman,
who isn't all too eager to enter the outside world...
there's always the idea of a death by
a grizzly bear and i think of entering
a bear enclosure in the danzig zoo...
  and the little bear that ate my cardigan button...
and the bear mama...
      god, i love that memeory,
because it's so unreal that it's real because
it happened and my mind became
a ******* ******* trickster thinking
that my faculty of memory didn't dig
that far back...
         the child always remains with the man
that the child always was,
   but the child never became,
and the man who always imagined the child
becoming the man he is,
never said to the man un-becoming the child:
you were never this until "i" became you,
and "you" un-became me.
30+ hours wide awake and i'm still
trying to succumb to falling asleep
to fidgeting...
                        sure, nice trick, juggle three
oranges... then more into the iron league
of juggling three watermelons my
dear, common man.
         classical music acted upon the same
jerking off technique
     that excess rock did to solo guitarists...
chopin was a ****** on guitar...
he had no rhythm man...
            why do i know this?
the japanese, those wannabe white-ohs
pretend to be chopin...
they ******* ski-jump to boot!
                    chopin had no style because
he had no rhythm...
actually liszt ****** off the most,
smoked the most cigars and prematurely
******* with the most number of lovers...
    i really feel for that poet who cried himself
to sleep seeing him "perform"...
           you can solo the ******* want,
but the only rhythm on piano came with jazz...
i hate ******* for their lack of appreciation
of jazz... i hate to be a white guy telling them:
hey... jazz over class every day...
  you people, yes: YOU PEOPLE
ABANDONED JAZZ IN A MATTER OF
AN AMNESIAC TRYING TO REMEMBER
A DISTINGUISHING ASPECT BETWEEN
A T-REX AND MARC BOLAN!
how can you just give up rhythm piano,
the democratic soloing of each instrument
in a band in a matter of what,
20, 30, 40 years?
     LOSERS!
      rhapsody of the nincompoop...
hit the trends you ******, with your
nike airs and your shaaq attaq?
  canary in a colemine?
how 'bout a ****** smiling at me?
how about: pearly whites in a colemine?
talk kit-kat chunky pale white boy:
i start talking ivory...
                     hey: if the black guy ain't
the canvas of what i'm about to x-ray
i don't know why he shouldn't find his
root in the skin in the tongue in Swahili
so we can keep it neutral and not so,
******* lazy: english, keeping up with
post-colonialism Kardashians' shenanigans...
come on... they left sonny trashed nodding
at the piano: just one more note,
just one more note...
          boom... crescendo and the death's head
gravity pulled the gracious ***** down.
it's just a shame that they gave up
on jazz so quickly,
                   and turned to white *****
gloryhole ******* - which must imply:
Ethiopians in Japan...
              hey... you tell me:
last time i heard i heard the whale was
mammal, and that there was the Eskimo...
pop doesn't really bother me right now;
you left sonny clark nodding to his death
thinking he was falling asleep at the piano!
NOW... ******... BLEACH ME...
I ******* DARE YOU!
robert johnson didn't meet his fate
at the crossroads through a jealous middle
class white girl either...
given the times, being a white guy:
i guess that's also my fault...
oh look... there flies the cuckoo:
and here's the nest.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
372
 
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