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Oct 2017
and the three type of mustard: sarekpsa, dijon & bavarian.

i once offered a challenge,
   which wasn't much -
      never rhyme like a fool -
but narrate like horem -
   never rhyme like a "poet" -
rather, narrate like a virgil -
rhyme is dead,
   and the school of "poets"
obsessed, conscious of invoking
a pun metaphor whatever it
is they use to replace
craft of carpentry - nail
hammer etc. -
     and i was told:
  you want to make your writing
as rigid and bland as
an *ikea
manual for putting
up some shelves?
        nothing spontaneous,
nothing nuanced,
  nothing of a cabaret voltaire
types of expression?
  fine by me,
mould me an effigy,
rather than, as a god,
an animate body of blood
**** and bones...
     and someone once said
of the porcelain ballerina
beauties: mandible on the stage,
but a necrophilic fest in
the bedroom...
          and yes, i have an answer
to nihilism...
like depression was once called
the romantic name
melancholy - this too was
once called by a romantic name...
someone once said:
there is nothing worse than
apathy -
   but as the name suggests:
a lack of pathology -
  and i bring into the chess match
a counter to nihilism -
apathy, or as it's known
in romantic terms:
                            nonchalance.
so i ask, are you dealing with
the "arithmetics" of poetry
i.e. metaphor + pun + simile = poem,
or, are you the classicist i take
you to be, enriching yourself
with the puritanical case of, narration?
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
171
 
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