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Sep 2017
you know why the vikings did not care to
****, while they pillaged the conquered women?
why? well... let us not mingle war with
the melodramaticism of women screaming:
help! seems pretty logical, in sentencing these
women into a state of awkwardness -
they they be barren, by not being interacted
with... imagine neither viking,
or saxon plunging his grand dipper into
their fleshy abode...
       who've become doubly scarred
by their abode, with both earth and woman
turned to abandonment -
come the germanic brutes,
         and the natives with:
  wishes laid upon the stone,
and the iron lodged in it
we are but the deciders of our destiny -
and lackluster of the destiny unfulfilled -
made siamese with an ad infinitum decision
making, being curbed, shortened by
the year of chasing a wolf's mane,
while the fox continued his rhapsody of
thieving schemes!

- ibi est vitae, tantum in
    id est qui vita -
utrum in vivo -
                 vel in cogitatio -

danke spielzeung - vielen danke...
     spielzeuge?
*marienburg
und auschwitz!
ja, danke!
    das ist gut abschreckend!
40 days in the desert, deutsche tattoo
on poland is like saying:
            up yours, soviets!

only a man will have a personal
library like a graveyard -
the ****** just reads books by dead
people...
   only women seem to read books by
people who are alive,
and their contemporaries...
men do not have that sort of
"audacity"...
like most men, i am no *****
of sortier eventualities -

which began in the form of VI / XIV -
heidegger...
   i don't write to forget reality,
rather? to immerse myself in it...

you know how roman to greek to
roman to greek works?

  simple, roman letters are sing-along
castrato "morse code"...
greeks? they named theirs...

  αλφα is a noun...
so?
   so what?
you have to extract the prefix
from the noun...

       you have to turn αλφα into α-,
while λαμβδα into, simply λ-...

i don't write to forget reality,
  i don't write to forget: rather?
to immerse myself in it.

people read to immerse if not to simply
forget themselves,
to stare into the cloudy mirror of
a narcissus disguised,
i simply can't write mirror-prose,
you will not see a welcoming housewife
minotaur in my prosaic labyrinth
of what is best ascribed as "poetry";

what comes is an etymological
present, apparent self-revealing sloth
of history, that has rested upon
too many events, and so few
self-revealing factoid impressions...
as memes are to genes,
so too factoids are to facts...
      so few mentioned,
   as to assert the groundwork of sinai.

hence the castrato song -
  struggles with silencing the grief -
as of those once bound to a harem -
these new castrated - to the grief -
the "benevolent" man chose
a third of ownership to a harem -
with one third to secrecy -
and the last third to paedophilic "intuition" -
with the lies being his ******...
and not even 0.33 to a worship of
music;

      it's almost a shame, using the guillotine
on such people:
   and not 20+ blows on the neck
of ****** mary, with a blunt axe;
god, give me a nibbled-off-clean leg
of lamb, to chop these *******' heads off:
then again i don't want to chop these heads
off! i want to knuckle them off
with a dozen or so plum sores,
so they feel arthritis momentarily,
while strapped to a, ******* wheelchair!
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
293
 
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