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Jul 2017
ι.

you might call them terrorists, or islamic fundamentalists... me? i just call them sand-*******, or camel-jockeys.

ιι.

imagine the movies from the 60s... esp. cleopatra... see that long roman armshake? they don't actually shake hands, they pause in the middle of holding each others' arms, just below the elbow. this practice was translated, but in a verse of insult, not the shakespearean (romeo & juliet): flicking one's thumb against someone... i.e., lodging your incisor into your thumb on the inner side of the nail and then flicking the thumb from the grip of the incisors lodged in the nail gap... anway... this is the elevation of showing the ******* at someone - *tu sie zgina dziób pingwina
(here's where a penguin's beak bends) -
                     and all you do is fold your arm and point
with your protruding elbow... to basically say *******...
         i call it the last roman revelation,
         the long handshake being one,
                and the protruding elbow of the folded arm
as the higher form of expressing the *******.

ιιι.

this is the state english "existentialism" is in, in an article written by a ms. day... she uses the reference of a vowel with diacritical "tattoo" (marking / stressor) as an ambiguity, i.e. she calls ā (an A, with a macron "tattoo") as a long "a"... that could **** anyone off... long "a"? that's canadian short for asking for approval? the ****'s matter with you? ah... no diacritical marks in general, in the anglo-spreschen... i can't even be bewildered by this expression, given the facts of a lack of prolonging a vowel / breath, akin to speaking africaan (africān) when stating: **** i'm ******... let's go to the turk for a kébāb.

ιv.

western fascination with buddhism, the peddle-stool that westerners treat buddhism for a prop to hide their nihilism? what's a westerner's answer? in a cartesian format, counter res cogitans, i.e. res vanus;
and that's it... no mention of the spirituality of not thinking for a moment, very much akin to wishing to have written a fictional narrative as a form of escapism; so why buddhism, and not jainism, to be influenced by?

v.

ooh, **** me... hardly a strange comparison, but a *** and ms. pepsi sharpshooter... ****, white *** slithers down your mouth like a serpent without shedding its skin, that dark *** promotes; i think i'm going to swtich.

vι.

so regarding ms. day's saturday supplement article, the observation by huysmans (against nature) was correct... the aristocrats' greatest privilege isn't wealth to be exact: it's the capacity for being the greatest weirdos, unfathomable fetishists of materialism, and that's the transcended form of their ****** dubiousness, regarding the act of a swan's (actually noble) matrimony; ever heard that story? swan pair up for life... if one partner dies... the other swan remain in a perpetuated "limbo" of widowhood... for some reason, time expands, everything slows down for them; "aristocrats"? demented dogs, ******* your leg; ******* are weird as... well... ****!
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
202
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