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Feb 2017
lawyers don't use dictionaries... they use thesauruses... why would a lawyer use a dictionary in the first place? to get a concrete meaning? i hate how novelists are still prone to use that infernal tool... if a dictionary is a compedium, having precipitated from philosophy, and how the encyclopedia is a precursor of the scientific method... then the thesaurus is nothing but the end result of jurisprudence... that branch of philosophy that doesn't really have morality as the central piece of its care for a compass... the thesaurus exists for the sole purpose of man exercising "law", or as the poetics of Moses said: you will "know" the "difference" between good and evil... clearly the conjunction and means we wouldn't know, hence the existential either / or... but more precisely: between neither good or evil... of law and the thesaurus and the juggling circus act of synonyms and sharpening flint stones... and looking for words, and shallow ground and a bias for a fully established mono-personnae vocab with a dictionary.... or at least that's how i like to think of it: that the basis for humanity expressing a moral obligation of law is settled by creating a counter-intuitive fluidity of language... the holy bible of the strand of philosophy that deals with moral will, i.e., jurisprudence, is set in the thesaurus... there's no point referring to the dictionary and law books... i'd discard the dictionary completely... after all, dictionaries will never teach you anything rhetorical... you begin learning law by learning to avoid the dictionary, and equpping yourself with the thesaurus, no wonder i once called it thesaurus rex, the idea that humanity has any foggiest about expressing law, rather than finding a law, like that of gravity, is precisely why the scaffolds took to the stage, and the guillotine in the french revolution...  but i am capable believing man can bake a decent loaf of bread... not so naive in a belief that all law and justice stems, as it does indeed stem, from a book, like the thesaurus.

i have a very due exposure of what a 21st century
poem currently looks like: i write horror,
  but i wait for the music to become translated...
   aren't we the ones to write
the most kept, most worthwhile
secrets the next man might
wish, or care to encounter...
i write under the one pretense
that modern people don't
dive into amnesia of forgetting
classical music, as i know
they will, when they only listen
to classical music in cinema...
a *vide cor meum
from hannibal
(cassidy),
or from seven...
bach, g string & violin concerto no. 1...
at least applying classical music
to the genre of horror in the cinema
can lace us to universal memories...
tender hands, oh such tender porcelain hands...
bitten by the frost...
bitten by all except my teeth and lips
to dare perform the custom of lip unto knuckle,
like a knight,
         bound to receive the slap across the cheek...
so much less with ego-ego bonding...
as much as Hegel might presume...
that my love to no gravity of womb be secured
the imagination lost with the reactive
tendency for *****-count...
            and how horror really is the basis
for ensuring movies are filled with music...
if so much of life is equipped with having lost it...
unless we're sprechen deutsche Dante..
              or what's left to claim there was a spark
of believing the nearest of touches with
Michelangelo depiction of the gemini architects...
juliusz słowacki: the clad angel,
szatanioł -
   who's books i never read, and instead read
Kraszewski, or so the world is understood to be left
in the mechanism of constant continuum...
but this is only an imitation poem...
   how cruel, how unkind, the world surrouding us,
that our friends become our enemies,
and that after, so few and ever fewer to be accounted
for are asked to be friends, or can be...
how i will never life in Venice,
or Tuscany,
  and how i can be laid naked and senile,
not having a venture into these pockets of paradise
as a tourist,
   how can such places remain intact as fictional
oasis, enclosed in history books, and there
be read about, among egos and bookwoorms,
and have one soul, eager to think about them,
not having trodden a single banknote of pavement
in them, to not have bought a cup of coffee in them...
it's a sadness realised, and never forgotten,
but at least never beaming to have been
undone from such an arithmetic, as to have done so...
with only two words as remedy:
Kant & Königsberg - it almost begs to revise
the concept of nationalism, starting with the stated
example, as the face to resemble local avenues
lost, or foremostly undiscovered.
localism, first, then we can gain the gateway toward
nationalism, and the drift, the tide;
only when things are assured to have taken to
local "journalism" can we explore a world,
and thereby a happening / being in it...
what Kant lived, heidegger excelled in describing,
just the local, the mundane,
the: if you don't have what you like...
be content with what you do have, and be content
with it, as if it were something you would like to have.
so much concerning the study of being is formulated
upon the basis of not having;
  to me being is not having...
not possessing; so much of being is about
   not having, not possessing...
why pirates always overshadow the adventure of
clinging to the seas...
why pirates are the worth romantics easily translated
onto the silver-screen, and why admiral become
shoved and scarecrow stuffed into libraries with
dust and bookworms that wish:
that a moth might wake up, when a book it opened.
that it becomes self-evident that it's better
to possess and have, and not-be, than it is to be...
in that layering that's known to be man,
we're last in attempting a human feat...
to ascribe ourselves being human,
is to describe ourselves having roles...
   for by not ascribing ourselves the role of man,
we act with impetus to congest the world
with have, for there is no possession
in the ethereal, or with god alone... and that means:
yhwh will hardly translate into the n.e.w.s. or
the crucifix vector with the satanic lie from mt. sinai,
as the chinese are ready to prove
not being convinced, or converted...
only by acting with impetus to congest the world
with "having" it, claiming ownership of it,
can we act by deviating from claiming the sole role
of being men, and therefore like an oak
reduced to tooth-picks, call claim to
the industrialisation of meats, pork, beef, paultry,
and lay our foundations for the seemingly
countless examples of occupying space...
and the professions that come with it...
   until an enzyme akin to space-time emerges,
and as technology catches up to our comforts,
and says: we have to insert a revision,
a limit, a robotic schedule for the jobs that
are, well... pointless...
   then we worry... what with taxi drivers and uber apps,
and bus drivers and robot steered cars and the Docklands
light railway...
               and why lawyers will always be there,
a bit like us, dictionary prone, and them,
stretching the contempt for humanity having
a content for prescribing law as if contending for having
invented gravity, and using nothing,
but a thesaurus...
they should have just said it! *****!
there is no basis for jurisprudence working from
the 0 of a dictionary, a 0 meaning: plateau...
sea-level... jurisprudence does not even
acknowledge the existence of a dictionary...
when poetry, philosophy and all the other arts
use the dictionary as a reference point...
jurisprudence, or the practice of law
only uses the thesaurus... as do some writers,
who try to look smart for about a second
when they're looking through their recyclable *******
of a novel that takes 3 years to write:
milk bottle, tin can, milk bottle, amazon wrapping,
newspaper... law: same ****, different cover.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
1.5k
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