Submit your work, meet writers and drop the ads. Become a member
Jan 2017
.metallica, manchester 2019... master to whos mastery: whos puppets to whos puppeteering... i have to admire the fact that you have to play the standards... its not like even plagiarism comes into the play, but it must be tiresome to have to continue to play the crowd favorites... no compensation for what's expected as new.... if i were stuck in the rut of replica upon replica... regurgitation upon regurgitation... doesn't this art form tire so easily... who was that poet, who went to bed crying after listening to liszt play? matthew arnold... god i'm freed... all the fame and fortune and also not enough time to make your shadow a friend... one inherited temptation is enough to succumb to facing the subsequent ones... come playing a guitar staged before a horde... or fiddling with my beard in the background without malicious intention... but the poverty of lyricism... sure... blues players and their incessant rhymes... but these modern lyrics? to hell with it: i'm no better... but how can you fathom the stamina to replay, to replay, to replay the horde's echoing boom boom mantra fantaticism? i couldn't do music... rememebering words, contonuing a course for replay of the greatest hits... even if expanding into unwritten new territory was a farce... so what... come the bad with the good and the tabloid quality... but having to "love" your work in order to erode your memory like your standard pedagogy manual... i don't want or would't want to remember my words: half if not a third is hardly worth remembering... to a verbatim suited & booted closure and an opening for poet turned entertainer... i don't see how these people cling onto their nostalgia performances... well: to please the crowd is to please the crowd... ilona (former russian "gif") reminded me when james hetfield opened his mouth: he's such a redneck with that accent... god, this russian loved how i appropriated the english shropshire accent... what was that word she called me? ah.... i was a.... yuppie! then the moscow crowd took out their cigarette lighters and we snogged... god i miss relationships, being in that state of vulnerability... i really miss being vowed to a woman and free-falling into a grace of competent trust without question... now here's me calling out the lost trill surrounding the R in both the snake-bitten english numb "R" (without the trill) and the hark of the Francians... i miss being vulnerable... which is what love feels like... being assured a safety when staging a dangerous theatre scene of... say... free-falling before the parachute... that's love: the ability to feel vulnerable... love is and never was some ******* poetic ideal... of perfecting the "art" of loving... to love was always to feel vulnerable... i really miss that... to love was to trust, it wasn't ever about spewing out amour cliché after another amour cliché... sad news being, i will (probably) ever experience that softness of the heart, always the anchor of the weight of a marble slab... never the emotions derived from the heart, forever bound to the bowels... gut-sensations and the reflexes... never a mind to compensate incompassing reflections and the expansion of time to a fixed space... i once loved... is it better to have loved than to have no loved at all? that's questionable, riddle with... is it better to have lived and died, without the knowledge of pain associated to a brain haemorrhage or with: said knowledge? any man can claim the same: it's horrifying to have to live the rest of your life without the cushion, the bed, the feathers of love where you throw yourself icarus-esque, head-first, as a vulnerable babe... shedding the wolf's mane and softening your heart to escape the rational, reflexive array of emotions derived from the bowels.

guess who's diacritical abstaining from the prose...
      kurwy codzienne
czy te kuchenne... a raczej
               zbyt?
no churrah w mnie i horongiew
       wapnia i kurczu -
i tyle to, by gadać tchu!
pięć łatwych utworów -
you made my mind up to counter...
    i said no to the niqab,
so i said yo- to the -gurt...
and let me franchise it babe....
because when i do i won't be
the Franklin as the heavy heave to a scutter
and rat bound
smartease of a Jefferson's lighbulb...
you get boring
more so with the season...
***** and the farthing: quick-change
to quicken your step,
spelled Tokyo... takes two with reminders:
now pay and wait and pastry-size to
concubine the shadow....
                        of hiding cassette and
the lung to breathe through to gorgon enterprise
of the three-headed alcatraz.
i said score ***** harry
     i said i said it twice... 7070 film...
                  i said it thrice...
i said it a fourth time...
the fifth time i was left the overs,
and america r.i.p.,
and i said: god: just let me be!
you were the 20st century fake in the project act
and it was named kevin spacey....
           and you said drive-by
bygone shoot-out... and i said: hamburger
        tattoo and other things worth
the same idea of gluing **** together...
                         and then the toad's hiccup...
rhapsody of burps...
and then that...
  and then i want to be: martin luther king jr.
and a national holiday icon,
and when i want it... and i gag for it....
and then i die for it...
   and then i hate dying for it.... and
so i earn my living as a plumber....
    and then the nation goes for iraq...
and then i am president and face a q & a...
and i'm like: happy are those
who come with applause...
    because i'm the sole one battered with
with the qualm that might translate
as america bound...
well ye-ha! aren't we the lucky living *******!
then i'm about to pludge-****-and-poach-the-*******-yankees
into a question of: a horn brigade to toll the folding bridge;
scatter skew the next new coercion for a parade...
infantile french be the said: long gone...
germanic kinder less a rhyme,
and more a gas... just gaß... or governor:
that should have been gaś or gaš... but then you're
so ******* boring, it makes sense that you're rič...
because you didn't actually get that part...
to be: clint the runner in western and not
***** 'arry...
say you laugh, you don't say clint eastwood
when you actaully watch al pacino in
dog day afternoon... and 1970s america makes
sense...
             and you won't be able to replay
1960s america... because you can't... and it makes
sense why it all feels filthy and dry these days....
that you believe in recitation as you might
believe in the word regurgitate....
and all you want is horror and a.i.,
    and you will never wake from that dream again...
because there were those not lazing in learning
english, that you were left, so glutton coerced
into learning more anagram of english than french
wasn't...
and sure: you created these games of a language
for the sole reason that you wanted to avoid learning
french or german...
you created games from language
because you felt superior... and you created
these games from language because you said
it wasn't worth saying anything in french...
LAZY, OBSOLETE, MOTHER... *******!
but i say: it would have been easier to learn
german than to invoke the game of anagram...
   but then again... who am i to judge?
              who cares, when there are over a billion
chinese and we are but a case of ****
in asking for the perfumed number?
             i say thank god for the indus and the chinese
with their billionth marking...
    it makes no matter if i'm white
and speak english or german or swede or *******...
     it took just one of us to be as lazy as we were
to leave the rest of us happy in tuning toward
becoming extinct. ha ha... ha ha ha ha ha ha!
well, d'uh! you ******* dodo!
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
984
 
Please log in to view and add comments on poems