sometimes the title would just do,
                                                                      in the days
when fame doesn't echo throughout
the ages, where to find
   a Hector or an Achilles?
             only in times when life was
precious that it was doubly precious
by being audacious and teasing death -
where are the death-teasers among
us? who among us is a death-teaser?
no one... the myth of Sisyphus isn't
exactly a myth... what was a myth
in the 20th century is the plateau reality
of the 21st century -
                             there's a great joke
concerning Norway...
    a book sold half a million copies
          in a country populated by 5 million people...
so it's basically a village mentality "nation"...
i already said you should teach evolution
on the canvas of vikings rather than working
from neanderthals...
            berserker turned cultural clique -
the joke about the british decision to leave the e.u.?
hmm... multiculturalism? taking the genes
     to the cleaners in fear of hereditary weak genes?
isolated muslim communities who think that
britain is a country that's 75% muslim?
           it's, the, *******, irony... the brits can be
as well gifted in rude humour or smug with their wit,
but they've hardly explored their gaft of irony,
well, that's a miscomprehend use of a word,
for the mere phonos of the word: i had to use it...
   like gaffer is the chargehand on a building site.
what i mean is that the brits put so much energy
into a monty python sketch that they can't see
the irony they're implementing...
         can england ever become clique?
              did the british empire ever exist is a similar
question: yes, the british empire imploded,
we have three generations of the Raj living in
Islington, three Saudi generations living
in Marble Arch on Edgware Road...
                           we have hobnobs Harrods
lit up like sitting on a marble toilet with gold plated
toilet seats... tacky... that **** is tacky...
          and when people get rich, they just have
   a new way of saying they're poor... no taste.
me? i feel like having a patron... the pope, for example...
for all the god willing reasons i should have been
the poet along with the Renaissance masturbators
of the ******* in clay.... boy... Donatello really rubbed
that impression right into a David post *******...
look 'ere, placid like a gluttonous mosquito...
n'ah... fame these days is too much of a corpus -
it attracts hyenas and vultures once the lions
got bored...
   fame these days is too much c.c.t.v. -
             the omni eye looks at what colour my ****
was (and what consistency) from last Wednesday.
plus modern dialectical discourse has either become
too much solipsistic / autistic... or it's a wanking
marathon... which makes assurances to unsafe
*** between partners, and ultra safe *** between
pundit and *******, with the *******'s
reassurance: i get regular health checks...
        i mean, when she's so hot that after zenith
you jump into the bath and pour cold water
over yourself and she remains in bed *******
herself looking at you? genuine scenes there...
i have a ****** imagination... experience is so
much better... i'd rather slit my wrists than
work for Disney.
no, wait... wait! there's a point coming, referring
to the title... yep...
   a culinary rebellion against modern art backed by
Cézanne... you seen the recent Turner prize?
         i used to see a Turner prize every time i went
to the recycling centre near Upminster...
or a car-boot sale down Walthamstow...
i also used to go and see the dog-races down that route...
E17... when you used to have yella-double-decca
buses 123 and 179 travel the route...
        alright... look at a Cézanne still life...
(i call it instilled life) - now... can you imagine any
artist attempting to depict a modern culinary
experiment? can you, imagine a heston blumenthal
on a canvas in oil or watercolour?
      no, because you can't!
                                  the china or porcelain is the canvas
and there you have: a painting.
             this is a culinary rebellion against modern
art... the chefs decided to work from scratch,
or what you might call: working from Cézanne,
just because we returned to the Lascaux caves
  with huge open space art galleries and a toothpick
   that is cited: abstract of a pine...
                           and it takes 20 cubic metres to
be admired...                     (ever tried nagging?
  it's a steam-release, or like watching an entertaining
homosexual, same ****, different cover);
    and if you have a thumb's worth of a litre bottle
of whiskey? well... hail west!
             no sane artist would re-apply the modem of still
life into depicting modern cuisine...
  i know, i know... some dynamism went into
             turning a pear into a poached pear...
the hand of god...          but that transfiguration cannot
escape the stillness... it's not moving...
                 it's prefiguring a diner (not a place, a pundit
in a restaurant) doing a minor Pavlov experiment
when the plate is before him... at this point,
unless he's not a starving refugee, i think appetite is abstract.
          you know what was in the background
while i was writing this? ambiance...
  feng shui... refrigerator ambivalence...
     in a world when a chinese cobbler gets paid 2 squid
a day... and a poet in england gets paid zilch or close to
10 quid in a decade.