Submit your work, meet writers and drop the ads. Become a member
Nov 2016
i found that only the mono-phonetic peoples of this earth act like neanderthals did: protectively... implying i had a chance with one of their ****** counterparts... the loss of monotheism in a largely diffused area creates them, they're prone to shouting drunk slogans when watching a football march: with no foreign invasion impeding... to say the basics: that they can't intellectualise drinking is their downfall... drinking is shamanic like eating certain mushroom is: drink is liquidated fungus, it's an implication of all things thriving on the degenerative, to thrive on decomposition... even those championing the psychedelic escape route with the fungus can't see for a miles' worth of **** the potential of liquidating mushrooms / wheat and bottling it... i never expected to say profound things... and even if i did, i wouldn't get a ***** from saying them as those quasis who say profound things and leave me limp-dicked anyway.

a bottle of beer in between glugs of whiskey as they are:
the most refreshing and happy: sunshine down
my throat... and with those words unsaid
but typed: how i too can adopt a sarcasm
for all the woes that un-inebriated
people state, middle-aged and sexually frustrated
from socially-invoked inhibitors concerning image...
sarcasm is all they get back...
it's kinda sad... kinda...
all i'm doing in writing this verse
is an attempt to re-enter the haunting
house of the epic i started
writing two days ago...
    on the principle of ensō i find myself
unable to reenter than narrative,
every time i think about doing so
i think of: inauthentic...
                and it would be,
authenticity and the equivalent of
said once, therefore said properly...
but i wish to: only to erased the (pending)
in the title...
   but then i look at the script and think:
i've moved past this...
    why would i want to turn a river
of yore, into a lake of the now?
then unto man, who unable to coerce the elements
sought a fifth for elemental as too sensory
encapsulation and boundary,
   lightning being the fifth element...
candles v. light-bulbs, right?
       for too long the tetra-said-and-tetra-experienced...
or toward encapsulating man in
     water (creativity)
       and within wind (empty talk)
          as with earth (proverbs)
so too with fire (rhetoric)
                    so too with lightning (genius),
how i wish to have been able to write those
belittling notes down in industrial print
away from what would be considered
mindless sketching: that is why industrialisation
of print has created a medium of uniformity,
but also the Picasso's worth of hand-craftship
in what appeared at Belshazzar's feast in
the invention of late, western origination of graffiti:
******* rebel. can anyone else imagine
saying something like that, instead of asking
us why the flu or the tapeworm exists?
       the re-, the one true unfathomable monstrosity
apart from the logic of moving from point A to
point B... the re-, the one true unfathomable
monstrosity that burdens us all: who are rested...
the repetitive dream when we are instilled into
lying back and unconscious...
   for the blinking of the eye: and what is sight...
     for the first oyster gulped wriggling down
our oesophagus, alive,
    to the second and third, on a date with a lovely
   at Harrods... for all that re- is, without the -s,
it can only be a thing...                        as
thus said: that ancient curse of the vampiric
insatiable thirst to continue: under whatever circumstance,
repeat, replicate... oh the woe of the re-
                         as to be endured, heard, seen, felt, tasted...
with the demagogue all suicides rebel against:
master pro, master pro,
         who ***** his re *****, who ***** his re *****
in all of us: as transcendental genetics might not teach
us... bound to only escape such a formula,
staging ourselves within the groundwork of
the pre formulae; or how i can understand true will,
or the existence of will, as only a suicide might
investigate: to take death into his ***** and say:
for what will continue in me is but mere an apathy
of submission, but if i take death to the dancefloor,
i will truly find death's master: for in old age i will
not find wisdom, but merely the plagiarism of
childhood with less haste: to chase, to hide, to speak...
i find old age as not blessing with that childhood
already was... let me take death to the dancefloor,
on the seabed, in the hands of a hurricane,
         in the sunken sockets of gravity...
       please, here, in the crescendo of what i feel,
rather than in a congregation of mourners who
weep only in the thespian courtesy for others.
suicide? that is what i understand as true will -
              man, bacterium infernum: lost within
a blinking of an eye - within which all fates of things
freeze, undisturbed, as if alive and relentlessly blooming,
for within them an untrodden path and
within them a hand that never endured tilling as
a scythe... of that Edenic hope: to live among
the less mechanised things and in turn be a lessened
replica of that mecha-...           should this be seen
as an encouragement? too long has the asylum been
romanticised...
                    few have ventured to romanticise
the eventuality of Camus' culmination...
of what had to become the *sole
question...
          hence the taboos... people demand to think
that certain cognitive states are akin to viral infections...
   as if all those bound to the unexplained are
pulverising leprosy to the general public...
   a common trait, among neanderthals.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
623
   Dana Colgan
Please log in to view and add comments on poems