co hytre pod skurą jest iglą
         (what's avaricious under the skin is a needle)
na wieków, amen - co gdyby lwem
(forever more, amen - what's apparently a lion)
czy niedźwiedźem, czy też wilkiem
(or bear, or even a wolf)
da tchu! Vlach! ti i ten pierdolony lis!
(will give breath! Vlad! you and that ******* fox!)
eine fuchs! ich! ja stokroć i nocy nadam
(a fox! i! i the fern who will give unto the night)
imion bez konstelacji Achilles'a,
(names without constellations' of Achilles)
pozorom wbrew: na haczyku brwi
(under no pretensions: on the fishing hook of the eyebrows)
na tle pod imion: dobre sumienie
(on the canvas of under-names: a sound conscience)
wramah chszestu.
(in the boundaries of a christening.)
  a co ładne niech paraduje ze
(and what is beautiful, let it parade)
rzołneczykami!           bo to tfu!
(with it's little soldiers! because it's disgusting!)
bo to harfa i hu i true i Polska podbudjed
(because it's a harp and a ha... lost in translation)
is Rosyja i Я: anglo tomme, niet Яck m'eh?
  no kurva: Mongoła trombone!
mi non sprechen Deutsche,
nor operatic, nien moon-sweep tsar -
lovely, lovely juggles the Peckham
in all of us jubbly: day for the awaiting Trotter -
         or the spin frame Jenny my dearest:
spin! spin my spinning dūbblé / double-blah-blah-eh!
plocker / plonker two sons within graft of a blue
Peter sketch for the youngsters whining: or how's that
****** housed and i'm the one that should be
saying: the 'un that neva'h woz?
bites the Barnickle, that 'un does.
               says as much about cubicle cockers
in née said: Varlance: such that it almost sounded like
Versailles, and it too almost sounded likened to
umbrella when saying Paris or parasol.
       or on par: cubicle cockney poetry:
appellation and ***** hairs: stairs -
       needy and scythed: the frightened bunch...
          why then Versailles and squire?
and not: that ol' chip frier -
     fry err, Brighton on marble: succinct slating -
that walk of shame toward the ****.
     they always made the best foster parents,
that **** bumping, **** dumping crowd pleasing
hush for a Lincoln into linguo as Oslo in
libido -
          trucker tongue tie - gears in reverse -
randomised language replenishing that chaos of
became focus of larynx not cubed
but eyes three-dimensional: or cubism.
             and you sort of wish you knew how to
knot rather than not not not -
                your way into a Wahabi Lebanese
sentiment for truancy -
   which you never, really had a chance to get a
hard-on over.
                       this is how art sorta doesn't feel
that much difficult, more of a diarrhoea rather than
a constipation: less a skiing holiday in the Swiss
alps and more weekends spent on the Southend pier.
    well, we all wish to fish in the spaghetti lake
of verbiage: some of us get to,
and what we end up doing is hoping for
a second as cobblers in China, or beef farmers in
Argentina,    or cigar-rollers from Havana -
b'aah.... blah.... b'aah: i say jolted,
i say unsure, i say nervous b'aah - sheep's surrender!
why? it would sort out and destroy our
claustrophilia: as ever a cranium and an elevator...
         and the congregation,
                    and the dry throat.