Oct 2016
i was about to start writing this up when i thought:
another whiskey Quincy? **** storm,
spilled the remains of the one i barely touched
before having to pour myself a:
puritan Scot in Cheltenham.
now, i heard people say any town in Essex
is a ****-hole...
fair enough...
but there are darker recesses of England you
must get to know before making that
assumption...
sure, London, proper London,
zones 1 - 4, E17 (post code, outer reaches,
Walthamstow, used to have a dog racing
track - played there once,
like a typical Paris catwalk, those hounds)
can skive off Greater London
like New York can laugh off
New Jersey, it's pretty much like that...
the only thing is: Londoners don't know what
exists outside this area: the buffer zone.
this is the buffer zone...
you experience England outside of
this very sensitive area of integration,
take for example a 3 hour coach trip to
a little town of Cheltenham in Gloustershire
not far from Oxford (a hub of learning)
and Bristol (Massive Attack, and that
bridge by Brunel - funny, engineers are above
architects, in that engineers build things
that *work, architects are like science-fiction
novelists rather than scientists -
do you know how many problems workers
experience, because an engineer
"forgot to mention" something essential in the plans?
at least an engineer gives you a read table,
all architects work for Ikea -
ah, here's pieces a - z,
put it together yourself) - anyway...
spilled my Quincy whiskey, now i'm a puritan
of scotch - unlike that damning quote from
1950s Hollywood: whiskey with a drop of water...
ok ok... a little **** of ice floating about...
when will the nagging stop? no one says jack
about putting water into authentic absinthe...
why? cos it goes cloudy green when you do!
(too much digression, news paragraph).
i was leaving London on Friday,
murky the way i like it... Albert Bridge never seemed
so out of cinematographic urgency -
but the west end with its grand buildings
appealed to me to start imagining
Oscar Wylde ghosts leaving these places
for promenades in top cats and tiaras for the ladies...
west London... the best way to see it
is in transit... preferably rather urgently...
and in a coach with other people not paying
attention...
the Thames receded into the estuary (
as it does), those housed in boats experienced a wake-up
call with a 10° ***** into the mud -
past the Chelsea pensioners' abode,
past many monuments to be exact...
and then onto the open M4... past Windsor Castle
and the streak of aeroplanes about an aerial mile
apart landing at Heathrow -
3 hours later, there i was,
in Cheltenham - chitty chitty bang bang,
apparently dubbed the hub of all English literary
endeavours - well, if you're going to host
a literature festival, wouldn't you claim to host
it with at least one patriotic son of the word?
did i see any statue of a famous poet or writer in
that little rugby stockpile of excess triceps?
nope.
well, at first i thought it was cute...
a little Portobello, albeit
without the St. Petersburg paintwork on the houses,
houses as grey as the skies...
got lost looking for
the b & b hotel i was supposed to be staying at for
the night, went into a gas station, asked,
i was apparently only adjacent lost -
old school, map printer and no
g.p.s. on foot -
i once read a map and navigated
a car from an obscure Essex city,
to an even more obscure city in eastern Poland,
past the dreaded Penta Germania consisting of:
Düsseldorf, Duisburg, Essen, Wuppertal and
obviously Dortmund -
i call it the whirlpool
of navigation...
anyway, so i found the abode,
what a nice little place it was, shied away from
all the traffic - a lovely garden,
a room fit for a journeying writer,
actually, everything a writer could hope for
to lock himself away and write,
tunic scenic - everything to ease the literary
constipation - the surroundings, the whole decor,
i even took a picture thinking: shame if no
Balzac were to not emerge from these rooms...
i sure didn't,
i dropped all the things, took a shower,
went into town to do the g.p.s. topographic of
the city so i wouldn't need a map in the future -
bought a bottle of whyte & mackay with a huh?!
apparently this brand isn't popular...
went back to the room and found myself
drinking in front of the dreaded sight...
well... it was a room fit for a writer...
but it had a double bed in it...
and a mirror at the desk...
i downed one puritan glass
and looked in the mirror: i don't need your company.
looked away and found to my amazement the
truth of modern writing: the industrialisation
of writing... it emerged in the 20th century when everyone
did it by himself, with a typewriter -
the industrialisation of writing on an individual
scale can be quiet debilitating when trying to
rekindle the quill... i didn't write anything, i doodled,
and those were bad doodles, it wasn't writing,
it was doodling... i drank a quarter of the bottle
and went out...
went into the first bar, ordered a Guinness and
and sat down by a table with a
(later disclosed) Gloustershire University student,
a Canadian, jacking-off a script for some
B-short-movie in a public place: to catch the oozing
exfoliation of inspiration from crowded places -
if ever that worked, it might have ever worked
in a graveyard...
we were joined by his friend,
some peasant, we got chatting, boy, it was such a thrill
to exchange names... the Canadian's name
i did remember: Darcy...
he had that look about him that made
it worthwhile to remember his name,
ah, when names fit the image...
chubby, pig-blondish, hairy...
i'm guessing a native of Quebec...
but i could be wrong.
so a few hey hey, yeah yeahs later i asked if they
knew something about this gig on the festival slot
that was starting tomorrow, 5 p.m. and for free...
sure sure... got to eye the guide... so i asked:
so, maybe we could meet up at this place at this time
and go from there....
Titanic looked more graceful
sinking than the reply...
i had to really check myself,
this isn't London psyche chess, this is:
we are small people from a small town,
we think a charming stranger is a serial-killer...
the Yorkshire ripper case scenario,
not last... first.
i might have been ******* a lemon
by then and pretending to be drunk squirming
a Buddha look - i pretended the polite noting down
the details: suddenly i didn't think like attending
this ****** venture that would start at 5 p.m., end
at 12 a.m. and according to my travel diary:
having to wait 2 hours to catch the 2 a.m. home.
so i went to the first instalment of the "literature"
festival... lemn sissay and salena godden -
and i have to admit, it was a corker - a true
a champagne cork popped and hit the crystal
chandelier and i laughed... and that's how i lost my
virginity to "spoken word",
i wasn't listening to poets,
but i was thoroughly entertained, i swear that
at the end of her performance Salena pointed into
the dark (great tactic, how can they be nervous
if they can't see anyone? they stand on a pulpit of pure
light and see black ahead, where the nerves?)
and said: esp. to my friend over there...
i might have involuntarily back-laughed /
snorted like a pig trying to catch enough lung volume
for a ha ha...
got chatting to this lovely middle-aged
couple: told them: i'm being ***** with gags.
prior, i was watching the queue build up
into the room, with a god-awful grin on my face...
i couldn't take it off...
perhaps because i was looking at
the demographic and thinking: where are my peers?!
i spotted about three people in a close age proximity -
the rest were farts and soon-to-be-farts...
now Sissay freaked me out...
in a good way... i met the two after the show,
i brought two copies of my own printed work to give to
them... i had to ask their publicist if i was allowed
to touch the Aegean marbles... luckily i did,
but then i asked the stupid question to Sissay:
so who were you trying to imitate when your eyes
were bulging out nearly gauged out like a Pink Floyd
song video of: teacher! let these children go!
i should have associated something African
freakish in mask, a strengthening - the sort
of look that New Zealander rugby players put on
to frighten people off when dancing the haka -
he really did talk like that...
the little devil voice didn't help
either... but i only asked that "stupid" question
while mumbling something about how hard it was
getting published and how anyone aged nearing 40
forgot the free press of the internet emerging and
how he asked for a q & a after the performance...
and... hand on my heart:
got asked one question...
and answered... only one question...
a complete and utter ******* meltdown...
not: oh yeah, so who's your major influence...
a Samuel Beckett moment from not i.
later i standing outside and smoking, a grand English
dame of the west approached me,
chitty chatty kiss the hand later i got to say the most
famous line known to the current Englishman:
unfortunately... from Essex.
honest. anyone asks you in Essex the question
they always ask: so where you're originally from?
anywhere else in England
they just ask you: whe
another whiskey Quincy? **** storm,
spilled the remains of the one i barely touched
before having to pour myself a:
puritan Scot in Cheltenham.
now, i heard people say any town in Essex
is a ****-hole...
fair enough...
but there are darker recesses of England you
must get to know before making that
assumption...
sure, London, proper London,
zones 1 - 4, E17 (post code, outer reaches,
Walthamstow, used to have a dog racing
track - played there once,
like a typical Paris catwalk, those hounds)
can skive off Greater London
like New York can laugh off
New Jersey, it's pretty much like that...
the only thing is: Londoners don't know what
exists outside this area: the buffer zone.
this is the buffer zone...
you experience England outside of
this very sensitive area of integration,
take for example a 3 hour coach trip to
a little town of Cheltenham in Gloustershire
not far from Oxford (a hub of learning)
and Bristol (Massive Attack, and that
bridge by Brunel - funny, engineers are above
architects, in that engineers build things
that *work, architects are like science-fiction
novelists rather than scientists -
do you know how many problems workers
experience, because an engineer
"forgot to mention" something essential in the plans?
at least an engineer gives you a read table,
all architects work for Ikea -
ah, here's pieces a - z,
put it together yourself) - anyway...
spilled my Quincy whiskey, now i'm a puritan
of scotch - unlike that damning quote from
1950s Hollywood: whiskey with a drop of water...
ok ok... a little **** of ice floating about...
when will the nagging stop? no one says jack
about putting water into authentic absinthe...
why? cos it goes cloudy green when you do!
(too much digression, news paragraph).
i was leaving London on Friday,
murky the way i like it... Albert Bridge never seemed
so out of cinematographic urgency -
but the west end with its grand buildings
appealed to me to start imagining
Oscar Wylde ghosts leaving these places
for promenades in top cats and tiaras for the ladies...
west London... the best way to see it
is in transit... preferably rather urgently...
and in a coach with other people not paying
attention...
the Thames receded into the estuary (
as it does), those housed in boats experienced a wake-up
call with a 10° ***** into the mud -
past the Chelsea pensioners' abode,
past many monuments to be exact...
and then onto the open M4... past Windsor Castle
and the streak of aeroplanes about an aerial mile
apart landing at Heathrow -
3 hours later, there i was,
in Cheltenham - chitty chitty bang bang,
apparently dubbed the hub of all English literary
endeavours - well, if you're going to host
a literature festival, wouldn't you claim to host
it with at least one patriotic son of the word?
did i see any statue of a famous poet or writer in
that little rugby stockpile of excess triceps?
nope.
well, at first i thought it was cute...
a little Portobello, albeit
without the St. Petersburg paintwork on the houses,
houses as grey as the skies...
got lost looking for
the b & b hotel i was supposed to be staying at for
the night, went into a gas station, asked,
i was apparently only adjacent lost -
old school, map printer and no
g.p.s. on foot -
i once read a map and navigated
a car from an obscure Essex city,
to an even more obscure city in eastern Poland,
past the dreaded Penta Germania consisting of:
Düsseldorf, Duisburg, Essen, Wuppertal and
obviously Dortmund -
i call it the whirlpool
of navigation...
anyway, so i found the abode,
what a nice little place it was, shied away from
all the traffic - a lovely garden,
a room fit for a journeying writer,
actually, everything a writer could hope for
to lock himself away and write,
tunic scenic - everything to ease the literary
constipation - the surroundings, the whole decor,
i even took a picture thinking: shame if no
Balzac were to not emerge from these rooms...
i sure didn't,
i dropped all the things, took a shower,
went into town to do the g.p.s. topographic of
the city so i wouldn't need a map in the future -
bought a bottle of whyte & mackay with a huh?!
apparently this brand isn't popular...
went back to the room and found myself
drinking in front of the dreaded sight...
well... it was a room fit for a writer...
but it had a double bed in it...
and a mirror at the desk...
i downed one puritan glass
and looked in the mirror: i don't need your company.
looked away and found to my amazement the
truth of modern writing: the industrialisation
of writing... it emerged in the 20th century when everyone
did it by himself, with a typewriter -
the industrialisation of writing on an individual
scale can be quiet debilitating when trying to
rekindle the quill... i didn't write anything, i doodled,
and those were bad doodles, it wasn't writing,
it was doodling... i drank a quarter of the bottle
and went out...
went into the first bar, ordered a Guinness and
and sat down by a table with a
(later disclosed) Gloustershire University student,
a Canadian, jacking-off a script for some
B-short-movie in a public place: to catch the oozing
exfoliation of inspiration from crowded places -
if ever that worked, it might have ever worked
in a graveyard...
we were joined by his friend,
some peasant, we got chatting, boy, it was such a thrill
to exchange names... the Canadian's name
i did remember: Darcy...
he had that look about him that made
it worthwhile to remember his name,
ah, when names fit the image...
chubby, pig-blondish, hairy...
i'm guessing a native of Quebec...
but i could be wrong.
so a few hey hey, yeah yeahs later i asked if they
knew something about this gig on the festival slot
that was starting tomorrow, 5 p.m. and for free...
sure sure... got to eye the guide... so i asked:
so, maybe we could meet up at this place at this time
and go from there....
Titanic looked more graceful
sinking than the reply...
i had to really check myself,
this isn't London psyche chess, this is:
we are small people from a small town,
we think a charming stranger is a serial-killer...
the Yorkshire ripper case scenario,
not last... first.
i might have been ******* a lemon
by then and pretending to be drunk squirming
a Buddha look - i pretended the polite noting down
the details: suddenly i didn't think like attending
this ****** venture that would start at 5 p.m., end
at 12 a.m. and according to my travel diary:
having to wait 2 hours to catch the 2 a.m. home.
so i went to the first instalment of the "literature"
festival... lemn sissay and salena godden -
and i have to admit, it was a corker - a true
a champagne cork popped and hit the crystal
chandelier and i laughed... and that's how i lost my
virginity to "spoken word",
i wasn't listening to poets,
but i was thoroughly entertained, i swear that
at the end of her performance Salena pointed into
the dark (great tactic, how can they be nervous
if they can't see anyone? they stand on a pulpit of pure
light and see black ahead, where the nerves?)
and said: esp. to my friend over there...
i might have involuntarily back-laughed /
snorted like a pig trying to catch enough lung volume
for a ha ha...
got chatting to this lovely middle-aged
couple: told them: i'm being ***** with gags.
prior, i was watching the queue build up
into the room, with a god-awful grin on my face...
i couldn't take it off...
perhaps because i was looking at
the demographic and thinking: where are my peers?!
i spotted about three people in a close age proximity -
the rest were farts and soon-to-be-farts...
now Sissay freaked me out...
in a good way... i met the two after the show,
i brought two copies of my own printed work to give to
them... i had to ask their publicist if i was allowed
to touch the Aegean marbles... luckily i did,
but then i asked the stupid question to Sissay:
so who were you trying to imitate when your eyes
were bulging out nearly gauged out like a Pink Floyd
song video of: teacher! let these children go!
i should have associated something African
freakish in mask, a strengthening - the sort
of look that New Zealander rugby players put on
to frighten people off when dancing the haka -
he really did talk like that...
the little devil voice didn't help
either... but i only asked that "stupid" question
while mumbling something about how hard it was
getting published and how anyone aged nearing 40
forgot the free press of the internet emerging and
how he asked for a q & a after the performance...
and... hand on my heart:
got asked one question...
and answered... only one question...
a complete and utter ******* meltdown...
not: oh yeah, so who's your major influence...
a Samuel Beckett moment from not i.
later i standing outside and smoking, a grand English
dame of the west approached me,
chitty chatty kiss the hand later i got to say the most
famous line known to the current Englishman:
unfortunately... from Essex.
honest. anyone asks you in Essex the question
they always ask: so where you're originally from?
anywhere else in England
they just ask you: whe
