Before sitting down to write a story I’ll think up a character with a few miles on him but not so many as to put him to sleep by nine leaving our eager third person narrator little to do but describe the layout of the bedroom furniture of uneven pedigree clutter enough to suggest spiritual disarray well within acceptable limits but worth keeping an eye on suggesting sotto voce a second character someone with a few hours to **** in Wiesbaden or Banda Aceh poling a spoon through black coffee gone cold in a spider vein cup the slightest shift of a knee twisting the plot around the discovery of a memory stick taped to the underside of his café table “Marnie-LA” labeled in red. I write some muscular verbs to wrestle him onto to an overnight train to Split and shift to an unreliable first person singular narrator who finds himself wincing into a coffee cup at daybreak feathery words crumpled on the grass beneath the window confused by their own reflection.