bottle caps bouncing on cement floors
played in a constant loop,
cigarette ash fraying the
consistency of the tapping,
tapping and tapping on a window pane  
with only rain reciprocating,
if only any of this was real,
real,
real life is but only a manifestation
of manipulation of the things,
or by the things that make it easier,
a broken clock synchronized
with progression
of this silent
lunged apparition and
mobility has never been
defined by an antonym
until now,
now,
now formalized mistakes
carve themselves
inside the walls
of a crimson tower and shine out
as the falsities of my “finest hour”,
hour,
our lives are controlled by vices,
vice grips and patterned slices
solidify consistency in off-timed
8th notes that tick
tick,
tick like the broken clock.