Jul 2016
the way i see it, the internet doesn't really exist for poets
of the 21st century: instant gratification in other realms does,
the digital free-love movement,
mobile internet - and the atypical human
behaviour of sorts;
counterclockwise there's another movement
happening - not based on a dozen social
media accounts - digital selection,
it's there - the komtur movement -
you use a sieve and you add the filter, without
even considering the deep web -
you imagine yourself in a Tron exercise -
you're basically saying: what should i
include in the virtual reinterpretation of
the high street - i haven't bothered going to
the high street / junk street for ages -
Oxford Street is like Jurassic Park for me -
herds of edible oxen daydreaming while
walking - poets always have the acid tongue,
better treat a woman with truth than
shelter 10 concubines and lie -
tss! (venomous spit sound) - where the big
boy'oh and his ******* Ferrari now?
on the next ***** - like i planned out prior -
there was a leather settee sitting in someone's
driveway, i had a beer and a cigarette and
felt the need for a breather - but it's in someone's
driveway... it would look odd, no?
around the corner a John the Baptist moment,
another settee sitting on the pavement -
you know how surreal it feels to sit on something
that's intended for the indoors when sitting outside?
i usually take rigid monk attention to postured
retirement from walking, but a settee on the pave
was like... sitting on a cloud - i joined
the feline traffic wardens for a while, 1, 2, 3, 4 cars
passed, i snorkelled two cigarettes and finished the
bear - the night... mm... is this surreal?
well... imagine that Brazilian billionaire and
his Olympic Games bid parking his car
in his living room... i parked my sofa on the
pavement - he's a butterfly incubator, i'm a tornado.
in poetry you have metaphors, puns...
i treat all psychiatric terms as equivalent to what
poetry uses - split-mind is both imagery and metaphor -
i'm already wearing a wedding ring -
allocated to the mediation of money, so she's
a ******* in heaven - i call her my pain in the ***
because she is a scorching sound in my left
hemisphere, it's this constant nagging -
or be like a Kantian bachelor - test your strength alone -
you'll have cognitive arguments with yourself,
you might do the whole schizophrenic episode -
or like me... hold keen on the stern and recover
with meteoric ambition to count the number
of peas in a glass like some autistic genius -
shame that science never had any romantic dimension -
Kierkegaard explored Faust - it ended up with Faust
being more the mythology that was intended -
he simply overpowered the love interest -
a love too diabolical - and unto hell we go, less
romantic and even more diabolical - some poets
write 20 poems a year, applause applause it's all great
because it's like taking a selfie of the poet on the toilet
seat - but my throne the throne of thrones,
Napoleon sat on a throne and the warring fields
were filled with **** - i sit on the throne of thrones
and the fields don't matter, i just **** on the throne
of the French Emperor; oi! listen, i'm trying to draw
return to the narrative linear, it's not easy when
you end up constantly stimulated by digression, digression,
it's hard enough to stop the river, let alone build a
Hoover dam or a bridge - o.k., now that i'm
less excited by subconscious stimulants of talk talk talk
(subconscious? yeah, read a few articles
about Layla, Harrison, No *** Please, Modern
reinventions of Arranged marriage with psychiatrists etc.)
i figured, i must write a 21st century poem...
i'm not much of a gamer, fair enough like any teenager
i played the Playstation - didn't get to no. 2,
that old grey block of plastic -
Tenchu and Final Fantasy Seven (with a walkthrough,
i was busy doing homework), and the Sims -
the wormhole spectacular - get the Sim to sit at the
computer... BOOM! cross-dimensional wormhole,
started freaking out... but the tablets are around
and i got speeding on Raving Fever -
PLAYER43588 - number of wins 1602 - mostly on the 2nd car
in the gallery - and mostly won on a 2,000 / 4km bet -
how? the physics - the nitro on max, the braking the handling
the acceleration and the speed on max -
but it's the physics! the ****** physics! most players
i go against are like robots... they press the nitro button
and quickly accelerate - i just sit back and either wait
for them to crash against the traffic, or when they don't,
after i have gained from the acceleration per se,
and having reached the max speed, then i nitro the ******...
it's like a Zeno paradox, i'm the tortoise and they're
Achilles - it's irrational to counter a good acceleration
with nitro - a schematic and less verbiage:
car A
nitro (143kmph)
z. (~184kmph)
nitro
car B
z. denotes the zenith of speed - if these androids figured it
out properly, they wasted their nitro boost to reach the
maximum speed, i only wasted the acceleration potential
and got slightly delayed - once hitting the maximum
speed of 143kmph - i then press on the nitro and my zenith
is at ~184kmph - they're stuck on a plateau of maximum,
while i'm decreasing to their zenith of mutual maximum -
that's why i win so often, the frustrating thing for them
is that i always beat them on the last 100 metres or so.
basically i'm slowing down, while they're stuck on
stead speed, and by slowing down i'm beating them.
i guess scientists aren't ****, but neither is raising children,
who best knows the adventure of the mind?
and how to make boredom worth your while?
of the 21st century: instant gratification in other realms does,
the digital free-love movement,
mobile internet - and the atypical human
behaviour of sorts;
counterclockwise there's another movement
happening - not based on a dozen social
media accounts - digital selection,
it's there - the komtur movement -
you use a sieve and you add the filter, without
even considering the deep web -
you imagine yourself in a Tron exercise -
you're basically saying: what should i
include in the virtual reinterpretation of
the high street - i haven't bothered going to
the high street / junk street for ages -
Oxford Street is like Jurassic Park for me -
herds of edible oxen daydreaming while
walking - poets always have the acid tongue,
better treat a woman with truth than
shelter 10 concubines and lie -
tss! (venomous spit sound) - where the big
boy'oh and his ******* Ferrari now?
on the next ***** - like i planned out prior -
there was a leather settee sitting in someone's
driveway, i had a beer and a cigarette and
felt the need for a breather - but it's in someone's
driveway... it would look odd, no?
around the corner a John the Baptist moment,
another settee sitting on the pavement -
you know how surreal it feels to sit on something
that's intended for the indoors when sitting outside?
i usually take rigid monk attention to postured
retirement from walking, but a settee on the pave
was like... sitting on a cloud - i joined
the feline traffic wardens for a while, 1, 2, 3, 4 cars
passed, i snorkelled two cigarettes and finished the
bear - the night... mm... is this surreal?
well... imagine that Brazilian billionaire and
his Olympic Games bid parking his car
in his living room... i parked my sofa on the
pavement - he's a butterfly incubator, i'm a tornado.
in poetry you have metaphors, puns...
i treat all psychiatric terms as equivalent to what
poetry uses - split-mind is both imagery and metaphor -
i'm already wearing a wedding ring -
allocated to the mediation of money, so she's
a ******* in heaven - i call her my pain in the ***
because she is a scorching sound in my left
hemisphere, it's this constant nagging -
or be like a Kantian bachelor - test your strength alone -
you'll have cognitive arguments with yourself,
you might do the whole schizophrenic episode -
or like me... hold keen on the stern and recover
with meteoric ambition to count the number
of peas in a glass like some autistic genius -
shame that science never had any romantic dimension -
Kierkegaard explored Faust - it ended up with Faust
being more the mythology that was intended -
he simply overpowered the love interest -
a love too diabolical - and unto hell we go, less
romantic and even more diabolical - some poets
write 20 poems a year, applause applause it's all great
because it's like taking a selfie of the poet on the toilet
seat - but my throne the throne of thrones,
Napoleon sat on a throne and the warring fields
were filled with **** - i sit on the throne of thrones
and the fields don't matter, i just **** on the throne
of the French Emperor; oi! listen, i'm trying to draw
return to the narrative linear, it's not easy when
you end up constantly stimulated by digression, digression,
it's hard enough to stop the river, let alone build a
Hoover dam or a bridge - o.k., now that i'm
less excited by subconscious stimulants of talk talk talk
(subconscious? yeah, read a few articles
about Layla, Harrison, No *** Please, Modern
reinventions of Arranged marriage with psychiatrists etc.)
i figured, i must write a 21st century poem...
i'm not much of a gamer, fair enough like any teenager
i played the Playstation - didn't get to no. 2,
that old grey block of plastic -
Tenchu and Final Fantasy Seven (with a walkthrough,
i was busy doing homework), and the Sims -
the wormhole spectacular - get the Sim to sit at the
computer... BOOM! cross-dimensional wormhole,
started freaking out... but the tablets are around
and i got speeding on Raving Fever -
PLAYER43588 - number of wins 1602 - mostly on the 2nd car
in the gallery - and mostly won on a 2,000 / 4km bet -
how? the physics - the nitro on max, the braking the handling
the acceleration and the speed on max -
but it's the physics! the ****** physics! most players
i go against are like robots... they press the nitro button
and quickly accelerate - i just sit back and either wait
for them to crash against the traffic, or when they don't,
after i have gained from the acceleration per se,
and having reached the max speed, then i nitro the ******...
it's like a Zeno paradox, i'm the tortoise and they're
Achilles - it's irrational to counter a good acceleration
with nitro - a schematic and less verbiage:
car A
nitro (143kmph)
z. (~184kmph)
nitro
car B
z. denotes the zenith of speed - if these androids figured it
out properly, they wasted their nitro boost to reach the
maximum speed, i only wasted the acceleration potential
and got slightly delayed - once hitting the maximum
speed of 143kmph - i then press on the nitro and my zenith
is at ~184kmph - they're stuck on a plateau of maximum,
while i'm decreasing to their zenith of mutual maximum -
that's why i win so often, the frustrating thing for them
is that i always beat them on the last 100 metres or so.
basically i'm slowing down, while they're stuck on
stead speed, and by slowing down i'm beating them.
i guess scientists aren't ****, but neither is raising children,
who best knows the adventure of the mind?
and how to make boredom worth your while?
