i don't live outside my poetry,
i live me poetry,
i have five cigarettes in a packet
and about 3/4 of a bottle
of whiskey left: i haven't had a natural
falling asleep pattern to mind
with a 9-to-5 of tomorrow to mind
for, over, 9, years! i synthesise sleep!
not out of laziness - mind you, if i was in a wheelchair
i wouldn't be eager to fake-dance
or embrace swimming - limb or limbless
there's still Pistorius to mind,
doesn't mind a moth-on-fire to
apply Einstein's relativity to what
Socrates already said: apply
relativity to dichotomy and it all just
becomes an undecipherable monism
without a beyond to justify good and evil...
a... **** it... whatever! let's admire
Louis the XIV fireworks and wine!
but his brother, ooh! what a firecracker!
Chevalier de Lorraine was my hair too curly
they almost might - the intrigue decipher -er,
additions to a false spelling mishap -
or the proof of nobility, had the mother
begged otherwise and the daughter not
endangered the quest by seeking out
a scaffold -er's errand to guillotine the tulips
for a fragrant bouquet - here the admiration
for the stern heart of the east replaced
with the jealous heart of the west...
but Philippe! **** two horses and a cow!
i.e. *******! what a reworking of puppets...
in the hall of the crimson king... e -ing,
-ah ah-ah... the rōnin purity, the pride,
a poet's wet-dream of fancy, best luck drunk,
bad luck sober - i wondered quiet a many times
whether i had ***** or just a ticklish farce of
fancy to roller-pin the protruding genitalia
into the constituency / obligation / necessity of marriage...
the same as Narcissus spoke without an **** partner -
the ****** rap of Louis the XIV courtroom
imitating behind curtain the head of Charles I
in clone chandelier the fate of John the Baptist and
the ****** of hate of Salome...
how the two combined, the export of Iraq met
in Egypt with likewise revision of the genital parts,
Iraq translated into Israel, the two combined...
why f.g.m. rose from yawned over m.g.m. because
of the harem of kings! Philippe though! what a king!
that standards shook, the banners quaked,
the muskets shot blanks for a deadly purpose,
and there was poor Louis with the armour of quote
and a ***** of power inherited: appearance is power -
likewise today, what appears powerful is indeed
powerful, but only in deception,
beside the deception there's is no power
except the innate purpose for symbolic hierarchies,
and look where that ends up, Sinatra singing a song
about pennies raining from heaven,
indeed pennies among the streets of paupers,
the crown easily *******-on from a pavement's perspective...
i'd ask you to sit on your laurels were you
emperors, but you are kings...
so why not sit on that thorny crown of yours?!
hey! pristine gold is worth more than a poet's anatomy!
that's the casual expression, if you sit on laurels you're being
lazy... a poet's Welsh longbow man's V salute against
the French emperors - but i'd like to see them sit on
that famous crown of thorns, or the seven gilded
pikes of Rome resurrecting Vlad and the villainous Turk;
sarcasm disarms all seriousness in attitude
toward rank, and in turn disarming itself as
placed in hierarchic demands of humour -
sarcasm competes outside of the hierarchy of humours,
outside of comedy, it's there to be a buckling
when authority becomes all too... ridiculous.