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Jun 2016
poetry masquerades under too much
freedom of ineffective
politics, which it does not which to
engage with, namely it's own:
far-left mummification,
the far left mummified its heroes,
the far right cremated theirs...
one took the route to
Prometheus absence as subsequent
lack of camp-fire eagerly hell-bent;
what truth is woman? the woman worthy
of socio-political affairs, or affairs
of paranoid idealism signature sentenced
as counter-argument with haircut stylistics
and tattooing?  a healthy visible status,
rather than an unhealthy counter, status
or no status, one ascribed the guillotine phobia,
the second a necessary Buddhist heroism -
both left reward-lost: dream of troll maidens,
dream of perfected bedroom antics with
so much ****, reducing acting to naught
and theatre to desperation with the ignited
insignia of bureaucracy rather than
bored harpsichord rebels hash tagging
emily davison for bets and awareness in having
monopoly - of her beauty i'll speak but little,
am i the shopkeeper, the merchant,
easier under the Niqab than for her fancy of ******
taking place... dreadlocks un-kept,
and three signatures on lips that made kissing
a pain... removed, thus revenged...
if i knew woman i'd have kept one...
but since i know none, i kept cats, bypassing women
and imagining children; and all the better
for my liking, such that the world shrunk
to the size of Lichtenstein - oh but the few
buttered friendships are there to be spoken off
in old age... the few that remain have already leveraged you
to bite the worm closest to the heart,
in times when educating yourself equated itself to being shamed;
when education became shame and trivia quizzing,
when education became Latin bulimia
and even that didn't fertilise the earth to spawn
the awaiting, unearthed root for what came to be
known as the chattering colour: as death stood,
in its wintry palace, jokingly mannequin.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
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