“Like a drowned man, a fool and a mad man: one draught above heat makes him a fool; the second mads him; and a third drowns him.” — Feste, Twelfth Night by William Shakespeare
Pulling into Colbert on a mid-week afternoon, I stride through drifts of passengers falling from each carriage. Inside, they deck the station out in wait like chess figures. I leave as soon as I arrive.
Blessed with rain again, pestering the roof tiles, great sweeps of grey water dash each street. Across, a building's squared face, chipped bottle green. Namelessly familiar, my hermitage.
I enter half-drowned. I place myself on mark at the bar, flanked by fellow veterans. To my left, a lowered head, the dark hide of a colt retired early from his race. Right, a creased face and suit I dimly recognise.
Before my eyes adjust, I limply raise my hand — few fingers outstretched, Christlike. A head bows in response. He moves to draw a black slick glass; a tarred trickle, foam-topped like stormed wave.
The first. A swash against my lip, my mouth a vacant cove. Bitter, it gathers in the pit of my tongue — my pleasure, I swallow half in one surge.