in all honesty, i've become a supermarket ghost, one shelf stacker inquired whether the cheap ***** i'm buying is any good, well the beer Amstel is decent, but the whiskey i mix anyway - a wake-up call to stay away from writing ancient greek style epics, a shelf stacker at a supermarket, that's all it took, bye bye chaos of the north, or northern chaos, or whatever i tried to romanticise / or make a fetish of.*

concerning ᚾᛟᚱᛞᚱᛁ ᚠᛚᚢᚲᛃᚨ,
in an analogical form, very much akin
to mozart and joseph ii of austria
(the famous yawn - Amadeus quote
'too many notes!'),
people need nibbles!
nibbles! i tell ye nibbles!
like the opposite of cinema,
as bird-man states at the end of
the film: people want action!
explosions! alien invasions!
they don't want existential angst
screened, they're so sadistic in
this department that they want
the solo eventuality - they want
to experience existentialism solo -
existential: out of every exit of example,
themselves. bird-man got it spot on,
but revise cinematography using
poetry, and what do you get?
the destruction of western and even
middle-eastern narratives with
the haiku - the haiku ****** up
prosaic poetry like karaoke ******
up innovative ballet of the tongue -
translated bird-man's investigation
of cinema, put it against poetry,
yep, pair them up,
when cinema craves for action
and adventure,
poetry craves for nibbles,
no one is going to burden Homer
for the next 1000 years, or Dante
should it matter, they'll want
nibbles, haiku upon haiku,
short and sweet... fellas' bring in the
insecticide! we're going to smoke
those cockroaches out with one
smooth toxic cloud! puff! and they're gone!
poetry can be a cinema,
i mean, if cinema appeases the public
with extrovert activity without
the necessary identity of the protagonist
all the better... i dare you
to create a protagonist's introversion
as some point... Mr. Gorgonzola!
you're up next... messerschmitt nose dive
into a parabola... kneeee-uh -
you can just hear the propeller like
a shark fin cutting air;
if poetry is anything like cinema is
that less is more -
it's people we're talking about, after all,
cattle, you can join the cattle throng
any time you want, i know i do,
no point being optimistic about
your individuality or the individuality
process you devise,
you have to be pessimistic,
the wildebeests are optimistic when together,
the tiger is... well, a tiger, alone -
predatory antics are scaled against
herding, with stampede the only recognisable
antic - but me, between predator and herd,
in a vulture group (committee) / vulture feeding
(wake), etc. add hyenas to that
and we're above parasites -
pocket-proof of a group of foxes never existed -
solitary musings i say, theirs' the wanderings -
but with examples like ᚾᛟᚱᛞᚱᛁ ᚠᛚᚢᚲᛃᚨ, epic attempts,
you slowly begin to realise the un-importance
of your daily routine, the mundane reality
of it all, the lost excitement,
before you could **** out all the essence
of a little encounter, but when embarking
like Columbus to find only Jamaica you
end up finding three-continents and shrapnel
from the eastern face... well you miss
your spontaneity, your little consistency -
no due to atheism - it didn't **** off theology,
that remained constant, a fudge berg
in your imagination, it just killed off history -
we have pre-history and stones,
iron and brass in between, and then
we have 24 hour newsreels - who's going
to make up the time? we're taught
of being insignificant before we even decided
to become the next Audrey Hepburn -
****** shoo shoo they call us - ushers
of shoe-shine smiles - see what i mean
about trying to write epics in the 21st century?
enforced evolution, chicken nugget poetry,
not even a whole chicken, chicken ******* nuggets,
and yes, coarse words act as conjunction
lubricant, no offence, but they do -
so with bird-man telling us explosions are
the case for applauds and throwing
free bread around - poetry is all about
scavenger nibbles - haiku can almost be ranked
as a poetic technique equal to pun or metaphor -
we lost the narrative,
the narrative isn't coming back to
rejuvenate poetry - it's... gone!
or as they say where champagne is cheap...
chimp champs of the innuendo
wrote many more rocking-a-cradle poems
and never bounced a tennis ball
against the same wall
with the signature of the game stressed as
        i sat on a chair
        and cut my hair,
        without a mirror:
        kdump (linux) error, error.
how a little holiday into excess narration
proved the point of the everyday emphasis
once again spotted.