the day near finished and the night aglet as if day; what came first - cliff richard's devil woman (chicken) or the eagles' witchy woman (egg)? cockerel via ****** already took the opera seat, and the soprano slit open the larynx of the castrato... just so the chandelier and windows shattered in practice... if your poetry isn't musical, not rhyming, just write about music, that's what bukowski conveyed... make poetry an interest in music, don't make it this trollop-cod-whipped-**** self-interest... if you can't sing because an elephant stomped on your ear or you never had enough money to buy a saxophone, don't make complex musicology of symphonies cute with "adoration" using the rhyming technique, forget it, it's not cute, it's damnable... true virtue isn't afraid of critique... write about what you love so i can look it up and share it, don't write self-love walking sticks of decrepit fidelity of marathon runners that wheeze out after the 100th meter in goldfish dollops of addictive lungs gulping for breath... no technique in poetry will ever be music in terms of actual music... ever heard tenacious d's one note song? most poetry sounds like that: sound around orange peel foot massage that turned into zest of extra sound around a tambourine tabernacle with st. thomas ******* a rib cage kangaroo pouch ****'s ouch five multipliers mono ******* softy doughnut peach; '***** where's the cream?!' 'oh boy it's coming, coming with the flying scotsman's steam; choo choo!' puff up you puffing puffin *******! well, i was always going to be an extension of her doing the triceps choo choo dangle motion; morph into a church bell uvula morph into a church bell uvula... of a-ding-along-for-a-ding-**** of st. ursula's interpretation of english police officers deviation from the standard: 'allo 'allo 'allo.... n'est-ce pas pas ce comme ce?