i must be the only one
who finds sparrows
amusing outside my window
filled with song,
the same in me trying to imitate
their song with a range of onomatopoeias
never written (thankfully, poets
who write sparrows' song, may you
be disgraced, chirp chirp,
beat-box that **** elsewhere, where
you're welcome by admirers),
the same in me laughing
at the kangaroo hops
unable to use both feet to walk
in the guttering of the carcass plateau of crows...
but there my laugh,
like the last whims of a pope when a robin presides
over the ritual outside the window on the sill...
i find pronouns unable to capture
timing, a class of words for standing still,
they just can't capture timing, they're space
orientated, a man of 70 will say the same
of a man aged 20 about a woman,
but both will be idiotic about the size of
her earrings concerning her promiscuity:
bigger the earring, the bigger the need to feed
her juiced up genitalia lips...
warm **** and cold mouth,
some say in reverse: getting ****** off
is like ice-cream being eaten...
and cold in reverse would give you circumcision
defined lawfully as ****... a cold genital
assertion of womanhood will peel the skin
right off... ask for a cake you''ll be welcome
away from the bony **** of your hand's embrace...
perhaps marriage... and that cold mouth
that encompasses all hidden glaciers;
still, the **** is about sparrows in rain rain gutters
hopping along to the orchestra playing only
one tune that's ha ha ha.
all in all, when aroused, one hole warms
up the other cools down... the third?
don't know, don't care, apparently it's exhilarating,
trying to turn men onto all three
and away from homosexuality,
with the fourth (woman's ego) being missed...
could never equate that to a phallus and a hole...
i always felt ***** by that thing, the fourth dimension
once the **** was explored... it's all Dostoevsky after that...
everything is permitted, no deity exists,
i guess a the end is required of such a poem as this.