it's a story of girl meets boy,
who's reading milan kundera's
the unbearable lightness of being,
girl falls in love,
boy laments this falling in love
with a wish to be dead,
girl ***** the boy's high-school friend
and asks the friend to ****
the boy in a cunning and sophisticated way,
the ****** fails,
boy lives on,
picks up a girl in a park drinking beer,
seduces her for a **** when she forgets
miles davis' kind of blue,
and listening to michael greilsammer's
הוריי שלי (https://goo.gl/DZlekQ)
gives sway, they ****,
celibacy of the boy
abolished, more fingers on
the hand than ***** for 8 years counting,
walking home in the cold
night the girl from the park
drowns in the boy's jacket, in terms
of fraction three fifths his size;
concerning title? i don't know where
to cut-in or cut-off from he (heh), shin (sheen),
or any other hebrew letter is,
for if in the case of vav (ו)
the breath is in ***** of the sound
where is the incision for a phonetic unit
of speech to begin or end, akin to greek alpha
and omega, so too with the hebrew examples
ש (shin, not s) and ל (lamed, el or la ahmed)?
i.e. you say omega, but only utter o,
you say alpha but only utter a,
beta but on b etc.
so when giving nouns to units of sounds,
expanding a into alpha aleph, d into delta daleth,
b into beta and beth... how then uncouple
the unit of sound from the noun and couple
it into a word that deviates from noun?
we can sit all day musing this...
the existential philosophers philosophising
with the syllables ego... and i with snoring snorkelling
(zzz)... if ever the serpent slept (sss sizing up
a psst) for man awake then the serpent endeavours
his chance to sleep, brought on by digestion.