Submit your work, meet writers and drop the ads. Become a member
Jan 2016
i see it like this:
i know the teenagers
have the outlet we never had,
we had to invent the graffiti tag
to be seen or heard,
there's no courage in internet
anonymity - we're as successful
as insects to adapt, with 8 billion
of us, i won't be knocking of your door.
i see every poem that i write
as a character, even the cameos
(great cinema in edinburgh
is called cameo - european films,
turkish, iranian, real art-house),
and with each poem it's like a passer-by
on the street, the street is the narrator;
i just wanted an oblivious narrator,
not some genius chess player
moving in & out of people's minds,
i wanted to use poetry to destroy
if not simply obliterate the voodoo complex
of novel & novella architects...
seeing through silent "dialectics" / ~dialectics
psychiatrists attacking poets
and philosophers defending them:
like this theory i had - about how god
didn't destroy the latin alphabet like he did
of babylon (new age atheism is great,
but these atheists started congregating,
and that's not cool) - and i see punctuation
marks above the letters, umlaut for a colon,
comma marks above o and n if not elsewhere...
but by god i mean god = word(s) - a means
of communication - extended into a reality
when so complex it's near solipsism,
impossible given that you can understand me;
better stick to the poetic maxim of paul valery:
poems are never finished - just abandoned.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
497
     ---, --- and NV
Please log in to view and add comments on poems