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Dec 2015
If you are searching for some sort of formula to carry on fighting, or for a sequence of numbers or symbols to decode bravery, there is no purpose to look any further. It’s not that you are close to it, or getting there, or that the concept itself of a bravery code is the first step towards deciphering the code, but you’ll never get the chance. There is no code. When you are trying to pull your parts together and make them work in concordance even though you have been unhinged an inch too far from the here and now, the currents of reality. For example, where is one of your hands? One is banging on the tabletop for attention while the other presses down on your trachea to crush it closed. You need to calm down one hand so you can use it to loosen the other from your own throat. There are no pretty ways- or any ways- to suture the open wounds that have been left on you. It feels filthy and confusing to speak, and it hurts because you know only yesterday your talk was free.

It is disturbing to smile and to hold your face without anything to express. All you want to do is release that scream that begs for freedom, just as speech. But you can’t go on like this, all torn apart- this is a body fighting itself, a war against its own shadow; it’s a mind murdering the body from inside. Think about that, if you can just about bear it, and then you’ll catch onto why there’s not a instruction manual waiting for you after your experience to lay out in bullet points the right way to feel. How to’s on coping with grief, guilt, disgust, dissociation, nightmares, the memory becoming part of your autobiography. There’s no manual or guide because there is no way to make peace with that.

No one ever taught you that bravery can be something other than clawed in eyes, sharpened nails, feral smiles. It doesn’t appear as the torn up hands of a wrecked clock or the veins filled with venom under poisoned skin. You can decide what your bravery looks like. Maybe it looks like smashed plates, slashed tires, the silver gleam along the edge of a bread knife that flashes as you make yourself a sandwich. Maybe it’s letting the shadows give you some comfort when the windows are jammmed and refuse to open. It’s framing pictures of yourself and your mother because you have a need for nostalgia almost as much. It’s changing the colour of your hair, it’s gin and tonic before noon or else only juice you drink from cartons. It’s taking out the ******* bins whilst knowing they contain one or several things you ought to not throw away, but taking the words of Kerouac- Accept loss forever. It looks, perhaps, like trying to fix a clock but allowing for times ahead to weave in and out of an arbitrary linear path. No matter how many times you look at those hands on that face, you’ll never be able to turn back time or bypass a single moment on fast forward. It’s brave to try and invent a potential cure and to persist, but someday you’ll be thankful you couldn’t fix yourself by going back over time or denying the disappearing time.

It could be going to confession every Tuesday and Thursday, or visiting a shooting range, whether or not you end up firing a gun. It could be learning to bake your favourite cake, then baking dozens of small cakes and eating them alone. It could be a simple mouth to pillow scream. It could be the development of an entirely original and organic dream. It didn’t come from nowhere, nor from what you are trying to be brave for. A terrible event can be catastrophic and cataclysmic. The evidence in that is surely in all catastrophes and the associated ways in which the world shifts around it, accomodates is corners, and is changed even just by the wake left behind.

Most likely it is writing and it’s burning. It’s howling, visualising your head split in two against a wall. It’s bleeding to remember why you stopped drawing your own blood. It’s acting sinfully to forget. It’s undergoing an exorcism of your own by drawing a map of your body and marking out all the hiding places taken as territory by the spectres that haunt you. You’ll need your bravery to claim those spaces back, to conjure a monster frightening enough to scare the spectres themselves out.

If you try on lots of looks for bravery, be aware you’ll be black-night and blues and plum-colour bruised. Healing looks a lot like brutality, but it is the best home you’ve ever had. It is the first that you have built with your own hands and you owe no one for it.

Remember: Whatever has been done. Whatever you have done to survive.
Remember: the war is almost over.
Remember: you have always been home.
Daisy King
Written by
Daisy King  27/F/Hampstead
(27/F/Hampstead)   
2.1k
   Samuel Hesed
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